A modern Franco-Belgian comic style, reminiscent of Juanjo Guarnido's masterful handling of anthropomorphic characters and film noir atmosphere in *Blacksad*. The image combines decisive, woodblock print-like ink lines, moody atmospheric watercolors, and rich hatching to build texture. Adopt a very oppressive, low-angle composition. The scene is a dimly lit, luxurious study or apartment, the site of a locked-room murder. The leopard-headed detective is crouching low to the ground, almost in a pre-hunt posture. His gaze cuts across the floor, fixed on the crude chalk outline of the body. He is positioned not directly over the outline, but to its side, as if tracking the final traces of his prey. Light, Color, and Detail: 1. **Light and Color**: The only light source is a police flashlight left carelessly on the floor, casting a harsh, cold sliver of white light from the side. This light grazes part of the chalk outline, the detective's jaw, his trench coat, and the claws of the hand he has planted on the floor. Everything outside this beam is submerged in heavy shadows rendered with deep blue, dark green, and black watercolors. 2. **Ink Lines (Woodblock Feel)**: Use extremely confident and coarse lines to define the detective's silhouette, especially the folds of his trench coat and the tension in his muscles. The spots and whiskers on his leopard head should be drawn with precise, sharp, short lines. The chalk outline, in contrast, should be intentionally drawn with broken, uneven lines to express its temporary nature. 3. **Watercolor (Atmosphere)**: Use the wet-on-wet technique extensively, allowing different layers of dark watercolor to bleed into one another, creating a suffocating, suspenseful atmosphere. Around the flashlight's halo, the watercolor edges should be blurred to show the diffusion of light in the dusty air. 4. **Hatching (Detail)**: * **Detective**: In the shadowed parts of his leopard face, use fine cross-hatching to sculpt the three-dimensionality of his facial structure and the texture of his fur. Use hatching in the dark areas of his trench coat to add to the fabric's weight. * **Environment**: The floor is wooden; use long, scratchy hatching to draw its grain and aged look. Around the chalk outline, use hatching to depict almost invisible scratches or marks on the floor, hinting at clues. 5. **Focal Point of Atmosphere**: The core of the image lies in the detective's posture and gaze. He is not just "looking"; he is "smelling" and "listening." His ears are slightly turned back, his nostrils flared, and his eyes are not sharply focused but slightly glazed over, as if he is reconstructing the entire crime in his mind. The hand planted on the floor, with his nails (claws) digging slightly into the wood, is a detail that suggests his intense focus and suppressed wild power.