Film still compositing a live-action figure into a Post-Impressionist painted landscape rendered in thick impasto brushwork, the paint surface visibly raised with ridged strokes of cadmium red, viridian green, raw sienna, cobalt blue, and chrome yellow laid in short directional dabs across horizontal bands of flowering fields, the painted environment occupying the full frame with no photographic sky or ground, a lone man in grey trousers and a plaid jacket carrying a flat case walking a pale dirt path along the left edge in the lower midground, his body rendered realistically and three-dimensionally against the two-dimensional brushstroke environment, white hat on his head, posture upright and unhurried, dark cypress trees and ochre-toned shrubs receding into the upper background, bands of crimson poppy fields and sage-green foliage alternating in horizontal registers across the right half, the collision between the photographic figure and the oil-painted world made with no attempt at concealment, each existing in its own material register.