{ "id": 9, "titel": "Cracked", "ort": "Ausgetrocknetes Flussbett, Lehmboden in Schollen aufgerissen, letzte Sonne", "moment": "Der Lehm auf ihrem Gesicht ist getrocknet und beginnt aufzureißen", "lichtquelle": "streifende Abendsonne von rechts, sehr flach über dem Boden", "kamera": "Phase One XF IQ4 150MP", "objektiv": "Schneider Kreuznach 120 mm f/4 Macro bei 1:4", "blende": "f/9", "iso": 50, "verschlusszeit": "1/320 s", "kamerawinkel": "Augenhöhe, frontal", "makrograd": "1:4 auf Mittelformat — ganzes Gesicht randfüllend", "farbstimmung": "Ocker und Rotbraun, Sonne als warmes Streiflicht, Schatten neutral", "ratio": "4:5 hochkant", "prompt": "claireredfieldtailor. An extreme close portrait of a woman in her late twenties in a dried out riverbed where the clay floor has broken into curled plates. Her whole face fills the frame from hairline to chin. A layer of the same pale clay has been smeared over her entire face and has now dried, contracting into a fine network of cracks that follows the shape underneath: the cracks are wide and open across the forehead and the cheeks, tight around the eyes, and broken completely at the mouth where she has moved her lips, so that clean skin shows through in a few places. Some flakes have lifted at their edges and are about to fall away. Her eyelashes are dusted pale with the same clay. Her eyes are open, dark and wet against the chalky mask, and look straight into the lens. Late sun rakes in from the right almost parallel to the ground, so that every lifted flake and every crack edge throws its own hard little shadow to the left and the surface reads as terrain rather than skin, while the left side of her face falls into neutral shadow with no fill at all. Shot on a Phase One XF IQ4 150MP with a 120mm macro lens at one to four and f/9, ISO 50, 1/320s, at eye level dead on. Ochre and red brown with warm grazing light against neutral shadow. High end beauty macro photography with extreme surface relief and the wet eyes as the only smooth element.", "pruefpunkte": "Rissmuster unregelmäßig und dem Gesichtsvolumen folgend, kein aufgelegtes Netz. Jede abstehende Scholle mit eigenem Schatten nach links. Augen feucht, nicht mit Lehm bedeckt." }