MOTION PRIORITY: The ENVIRONMENT is the primary animation. Ocean waves, waterfall, ships, lighthouse beams, atmospheric mist, floating spheres, vegetation, clothing, and cosmic clouds must remain visibly moving throughout the ENTIRE five-second clip. These motions happen SIMULTANEOUSLY. Do NOT reduce or pause environmental animation while animating the foreground traveler. FOREGROUND TRAVELER: The traveler is NOT the primary subject of the animation. She remains essentially stationary while the enormous world moves around her. The source pose suggests that she has just finished walking and is coming to rest. She makes ONLY a tiny natural settling movement: Her forward boot lowers the remaining few centimeters and becomes firmly planted on the stone path. Her weight shifts gently onto both feet. Her hips and shoulders settle into a balanced standing posture. This is NOT a visible walking step. Do NOT lift either foot significantly. Do NOT take another step. Do NOT create a walking cycle. The entire settling motion should be small and completed naturally without drawing attention away from the environment. Afterward she remains standing. Her coat and hair continuously move in the ocean wind. Her lantern gently sways with small irregular motion. She slowly breathes. Near the end she may raise her chin slightly toward the lighthouse. CONTINUOUS WORLD MOTION — HIGH PRIORITY: For ALL FIVE SECONDS simultaneously: The ocean has clearly visible rolling waves. The lower-right sailing ship visibly rises and falls with those waves while slowly traveling forward across the water. Its sails continuously ripple in the wind. The distant ship visibly moves through the atmosphere. The waterfall continuously pours over the cliff with strong flowing water and rising mist. The central lighthouse beam continuously rotates and visibly sweeps across mist and architecture. The distant lighthouse beam rotates independently. Floating reflective spheres continuously drift at different speeds according to depth. Cosmic clouds and nebula structures slowly flow. Village smoke and atmospheric mist continuously drift. Foreground plants continuously respond to wind. The traveler's coat and hair continuously respond to the same wind. NO part of the environment becomes a static background plate. The visual emphasis is: A nearly motionless observer standing inside an enormously active living world.