A white void. No sky. No ground. Just an endless, sterile expanse—like the world has been cast in powdered bone. At the center: a woman, too close. Her face does not exist. Where features should be, there’s only smooth, blinding whiteness—flawless, unnerving. A tattered hood, sun-bleached and heavy, drapes over her head. Its edges shimmer faintly, stitched with fading silver that flickers like dying neon. Just before the void where her face should be, a black porcelain mask hovers. A smile—stretched, frozen, disturbingly cheerful. The eyeholes are deep and unlit. Fine cracks run like veins across its cheeks, delicate but spreading. Her hands, thin and wrapped in nearly translucent fabric, hold the mask with fragile care. At her fingertips: brief flickers of violet and green light, distorted like a screen glitching in silence. Nothing moves. No wind. No sound. Behind her: only more whiteness. Distant shapes—empty frames, maybe beds, maybe machines—blur at the horizon, too faint to name. And the mask… the mask keeps smiling.