Trained on sixteen paintings by Dante Gabriel Rossetti (12 May 1828 – 9 April 1882), a member of the Pre-Raphaelite Brotherhood. To see his work, please go to https://www.wikiart.org/en/dante-gabriel-rossetti.
Known problems:
All the women look very similar. This is a feature, not a bug, because that is the standard of beauty for the Pre-Raphaelite Brotherhood.
Rossetti likes to paint women with intricate hand gestures, so this LoRA has a tendency to produce bad hands. This is a bug, but there is not much I can do about it. Please change to a different seed when this happens.
Tends to produce large heads.
Tends to produce sitting figures.
These are all caused by the training set, which is kind of paltry because Rossetti actually did not paint all that much.
From ChatGPT:
Portrait of Dante Gabriel Rossetti at 22 years of Age by William Holman Hunt
Portrait of Dante Gabriel Rossetti c. 1871, by George Frederic Watts
Dante Gabriel Rossetti (12 May 1828 – 9 April 1882) was a British painter, poet, illustrator, and translator, and a central figure in the Pre-Raphaelite Brotherhood, a group he co-founded in 1848. Known for his richly detailed and symbolic artworks, as well as his literary achievements, Rossetti played a key role in the revival of medieval and early Renaissance aesthetics in Victorian England. His work is celebrated for its sensuality, emotional intensity, and lush use of color.
Biography
Early Life:
Born Gabriel Charles Dante Rossetti in London to an Italian immigrant family, he was named after the famous Italian poet Dante Alighieri.
His father, Gabriele Rossetti, was a scholar and Dante enthusiast, which deeply influenced Rossetti's love for medieval themes and literature.
Education and Artistic Training:
Rossetti studied at the Royal Academy of Arts but became disillusioned with the academic norms of the time.
Inspired by the works of early Renaissance painters, he sought to challenge the formal, idealized art of the Victorian era.
Pre-Raphaelite Brotherhood (PRB):
Rossetti co-founded the PRB with artists John Everett Millais and William Holman Hunt.
The group aimed to return to the vibrant, detailed, and spiritually charged art of the period before Raphael (hence "Pre-Raphaelite").
Artistic Style and Themes
Symbolism and Medievalism:
Rossetti’s work is deeply inspired by medieval literature, myths, and legends, particularly the works of Dante, Arthurian tales, and classical poetry.
Portraiture and Female Beauty:
His paintings often depict idealized women with flowing hair, elongated necks, and soulful expressions, embodying sensuality and mystery.
His muses, like Elizabeth Siddal, Jane Morris, and Fanny Cornforth, played key roles in shaping his vision of feminine beauty.
Rich Use of Color and Detail:
Rossetti employed vivid, jewel-like colors and intricate patterns, creating visually stunning and emotionally evocative works.
Notable Works:
The Annunciation (Ecce Ancilla Domini) (1850): A religious scene reimagined in a highly intimate and unconventional way.
Beata Beatrix (1864–1870): A tribute to his wife, Elizabeth Siddal, symbolizing love, loss, and transcendence.
Proserpine (1874): A haunting portrait of the goddess Persephone, symbolizing captivity and longing.
Personal Life
Elizabeth Siddal:
Elizabeth Siddal was Rossetti’s muse, model, and wife. Her death in 1862 from a laudanum overdose deeply affected him and influenced much of his later work.
Romantic Entanglements:
After Siddal’s death, Rossetti became romantically involved with Jane Morris, the wife of his friend and collaborator, William Morris. Jane featured prominently in many of his later works.
Struggles and Decline:
Rossetti suffered from depression and health issues in his later years, compounded by his reliance on drugs like chloral hydrate. These struggles affected his creativity and output.
Literary Contributions
Poetry:
Rossetti’s poetry is characterized by its sensual and mystical themes, often blending love, spirituality, and death.
Notable collections include The House of Life, a series of sonnets exploring complex emotions.
Translation:
He translated works by Dante Alighieri and other Italian poets, further demonstrating his devotion to medieval literature.
Legacy
Artistic Influence:
Rossetti’s work deeply influenced the Aesthetic Movement, which prioritized beauty and sensory experience in art.
He also inspired later Symbolist artists and poets in Europe.
Pre-Raphaelite Brotherhood’s Enduring Impact:
The PRB profoundly changed the course of British art, emphasizing emotion, symbolism, and meticulous craftsmanship.
Cultural Icon:
Rossetti’s vision of feminine beauty, his romanticism, and his embrace of medieval themes remain iconic elements of Victorian art and literature.
Dante Gabriel Rossetti is remembered as a multi-talented visionary who bridged the worlds of art and poetry, leaving a legacy of passion, innovation, and timeless beauty.