Nano Alcohol Smash

This variant is pure kinetic violence expressed as graphic design. It’s defined by brutally thick black linework, a deliberately loud four-colour palette, and exaggerated, almost abstract motion language. Geometry fractures, speed lines explode outward, and impact bursts dominate the frame, often overwhelming perspective and realism on purpose. Figures are reduced to hard silhouettes and blocky forms built to survive the visual noise. Colour is weaponised, especially high-energy yellows, stark whites, deep blacks, and sharp red accents, to sell force, speed, and catastrophic momentum. It excels at explosions, crashes, colossal impacts, superhero landings, and moments where the entire image is the impact, not the aftermath