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Pulp Fiction 1994

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word plpfctn1994 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"plpfctn1994, A woman with a short, dark bob haircut sits in profile, her hand raised to her lips as if in thought or contemplation, a ring visible on her finger. She is positioned in a dimly lit, atmospheric interior, likely a bar or lounge, with blurred background elements including a metallic jukebox and warm-toned ambient lighting. The scene is bathed in cool blue and deep red hues, suggesting evening or nighttime, with focused lighting highlighting her face and upper body. The camera frames her in a tight close-up, emphasizing her expression and the intimate, moody ambiance."

"plpfctn1994, A woman in a red-and-black plaid shirt and jeans leans against the rear of a silver sports car, smiling as she engages in conversation with a man in a dark suit standing across from her. The scene unfolds on a dusty, sunlit roadside lot filled with vintage vehicles—including a bright yellow Volkswagen Beetle, a red pickup, and a green sedan—parked haphazardly near a chain-link fence and a “For Lease” sign. The warm, golden light suggests late afternoon, casting long shadows and highlighting the muted tones of the asphalt and surrounding foliage. The camera frames the interaction from behind the car, offering a clear view of the subjects and the cluttered, slightly run-down environment, with the car’s sleek red taillights and California license plate anchoring the foreground."

"plpfctn1994, A man in a brown jacket and blue jeans is captured mid-motion, leaning forward with arms outstretched as if balancing or reacting to something, positioned beside a black motorcycle with “GRACE” painted in stylized blue and red lettering on its fuel tank. The scene unfolds in front of a peach-colored stucco building with red-framed windows, one of which has a white air conditioning unit mounted below, and a brown door marked with the number 109; behind the building, a sloped hillside covered in green and dry vegetation rises. The lighting suggests late afternoon or early evening, casting soft, warm tones across the scene, with the dominant colors being earthy peach, muted green, and the deep black of the motorcycle. The camera is positioned at a low angle"

"plpfctn1994, A man in a red and white patterned robe leans forward to unlock a pale green vintage car in a cluttered garage, while three other men stand in the background observing. The space is filled with shelves of tools, a bicycle, folding chairs, and hanging items, creating a dense, lived-in atmosphere. Natural light streams in from a window on the left, casting strong shadows and highlighting the dusty, dim interior, suggesting late afternoon. Dominant colors are muted greens, browns, and the bright red pattern of the robe, contrasted against the pale car. The camera is positioned at eye level, capturing the scene in a medium-wide shot that emphasizes the tension between the central action and the surrounding observers."

"plpfctn1994, A man and a young woman are seated on a black motorcycle, with the woman leaning in close, smiling as she interacts with the man who has his hand resting on the fuel tank. They are positioned in front of a beige stucco building with a red door marked “109” and a window with a white air conditioner unit, while a sloped, tree-dotted hillside forms the background. The scene is bathed in warm, golden light, suggesting late afternoon or early evening, casting soft shadows and highlighting earthy tones like brown, beige, and faded denim. The camera captures them from a medium shot, slightly angled from the side, emphasizing their proximity and the motorcycle’s chrome details against the muted urban backdrop."

"plpfctn1994, in a dimly lit, cluttered room, a man in a dark suit stands with his hands clasped, facing another man seated at a small table who gestures animatedly while holding a fast-food bag; a third man lies asleep on a patterned couch nearby, while a fourth stands silently by the door. The space is filled with everyday clutter — stacked newspapers, a floor lamp, and a checkered blanket — under warm, directional lighting that casts long shadows, suggesting late afternoon or early evening. Dominated by muted greens, browns, and the contrast of the dark suit, the scene is framed in a medium-wide shot that captures the tension and spatial dynamics among the figures."

"plpfctn1994, two men stand side by side on a dusty roadside, each holding a small object — one a brown paper bag, the other a black briefcase — while looking forward with neutral expressions. Behind them, two flatbed tow trucks carry damaged cars, one silver and one dark-colored, parked on uneven ground with sparse vegetation. The scene is bathed in bright, direct sunlight, casting sharp shadows and indicating midday, with warm tones dominating the palette — blues, reds, and earthy browns. The camera frames them in a medium shot from a straight-on angle, placing them centrally against the cluttered, industrial backdrop."

"plpfctn1994, A woman with dark, straight hair and bangs is seated at a diner counter, holding a small red cherry between her fingers as she brings it toward her lips, her gaze directed thoughtfully to the side. The background is softly blurred, revealing the warm glow of neon signage and the silhouette of a jukebox with chrome accents, suggesting a retro-style eatery. The lighting is dim and moody, dominated by deep blues and purples from overhead fixtures, casting soft shadows across her face and the surrounding space. The camera frames her in a tight close-up from a slightly low angle, emphasizing her expression and the intimate, contemplative moment."

"plpfctn1994, A person is seated in a vintage diner booth, their back to the camera, as they lean forward toward a plate of food that includes a burger, fries, and a side salad. The setting is a retro-style diner with teal vinyl booths, a chrome-trimmed car hood visible above the booth, and a neon-lit bar area in the background where patrons are gathered. The lighting is dim and atmospheric, with colorful neon signs casting a glow over the scene, suggesting evening or nighttime. Dominant colors include teal, red, and deep blues, with pops of white from milkshakes and metallic sheen from the car and drinkware. The camera is positioned at eye level from the diner table, creating an immersive, slightly voyeuristic perspective focused on the meal and the surrounding ambiance."

"plpfctn1994, A woman in a floral dress and a man in a military uniform stand side by side in a mid-century modern living room, their expressions serious as they face forward. The space features light wood paneling, a curved bar with shelves of bottles, a dining table with a vase of flowers, and striped furniture, all bathed in warm, golden afternoon light streaming through a window. The dominant colors are beige, wood tones, and muted blues, with accents of red and yellow in the decor. The camera is positioned at a low angle, capturing the scene from the perspective of someone seated on a couch in the foreground, emphasizing the room’s depth and the figures’ central placement."

"plpfctn1994, A man in a dark suit, holding a coat over his arm, walks away from the camera through a modern, minimalist living room. The space features a cream leather sofa with a patterned throw pillow, a glass coffee table holding candles and magazines, and a side table with a vase of white lilies and a framed photo. Large glass doors frame the background, reflecting the dark night outside, while warm interior lighting casts soft shadows across the neutral-toned walls and floor. The dominant colors are cream, black, and white, with accents of burgundy and green from the decor. The camera is positioned at eye level, capturing the man’s back as he moves into the room, creating a sense of quiet departure or contemplation."

"plpfctn1994, A performer in a red jacket stands center stage, strumming an acoustic guitar while singing into a microphone, surrounded by an audience seated at tables and booths. The setting is a retro-style diner or lounge with a circular stage, vintage cars parked nearby, and neon signs glowing in the background, including a bright blue “Coca-Cola” sign. The lighting is dim and atmospheric, with blue and red hues dominating the scene, suggesting an evening or nighttime ambiance. The camera is positioned at a low angle, capturing the performer from the side with a slight motion blur that conveys energy and movement."

"plpfctn1994, in a modest, sunlit kitchen, a man in a dark suit leans over a marble countertop, holding a mug as if in contemplation or distress, while two other men stand nearby, one with a bloodied shirt, suggesting a tense or violent encounter. The room is furnished with a wooden dresser topped by a lamp and small appliances, a dining table cluttered with condiments and newspapers, and windows draped with floral curtains that let in warm, golden afternoon light. The dominant colors are earthy neutrals—beige walls, wood tones, and white accents—contrasted by the dark suits and the vivid red stain on one man’s clothing. The camera is positioned at eye level, capturing the scene from a slightly angled perspective that emphasizes the spatial tension between the figures and the domestic surroundings"

"plpfctn1994, A woman reclines on a cream-colored sofa, her head tilted back and one hand raised to her face, appearing drowsy or contemplative, while holding a small object in her other hand. In front of her, a glass table holds a half-full whiskey glass, an ashtray, and a crushed can of Drum beer, with a patterned brown cushion resting beside her on the sofa. The scene is set indoors at night, with dim, warm lighting casting soft shadows and highlighting the muted tones of her gray coat and black inner clothing against the neutral backdrop. The camera is positioned at a low angle, capturing the subject from the side with a shallow depth of field that blurs the background, emphasizing the intimate, still atmosphere."

"plpfctn1994, A man in a dark suit stands with his back to the viewer, gazing toward a bustling, retro-style restaurant interior. The space is filled with patrons seated at tables under colorful umbrellas, while a server in a pink top moves through the room; posters and stone-textured walls add to the mid-century ambiance. Warm, ambient lighting from overhead fixtures and table lamps contrasts with the cool blue tones of the ceiling and window frames, suggesting an evening setting. The composition uses a shallow depth of field, keeping the foreground subject in focus while softly blurring the background activity, emphasizing the man’s solitary perspective within the lively environment."

"plpfctn1994, inside a retro-style diner, a couple stands close together near the center, their backs to the viewer, while several other patrons are slumped over at booths and the counter, appearing to be asleep or exhausted. The setting features a long, dark counter with pink-tiled backsplash, chrome fixtures, and red vinyl booths; behind the counter, a stainless steel kitchen area is visible with stacked plates and a glass-covered cake stand. Bright, natural light streams in through large windows with horizontal blinds, suggesting midday, casting soft shadows across the scene. Dominant colors include the red of the seating, the muted pink of the walls, and the blue and white pattern of the man’s Hawaiian shirt, contrasted with the dark countertop and metallic surfaces. The camera is positioned at eye level, capturing"

"plpfctn1994, A woman sits inside a vintage yellow taxi, her arm resting on the open door, while a man stands beside the vehicle, holding the door frame. The taxi, branded with “Big Jerry Cab Co.” and a cartoon logo, is parked in a dimly lit parking garage with visible structural beams and a distant car in the background. The scene is bathed in warm, artificial light casting deep shadows, suggesting nighttime. Dominant colors are the bright yellow of the taxi contrasted with dark tones of the surroundings and the man’s jacket. The camera frames the scene from a low, slightly angled perspective, emphasizing the taxi’s profile and the figures beside it."

"plpfctn1994, A person in a black, studded leather outfit with a full-face mask stands menacingly, facing another individual whose back is to the camera, suggesting a tense confrontation. The setting is a cluttered, dimly lit basement or workshop, with exposed wooden beams, hanging tools, a vintage wall clock, and a single bare bulb casting warm, directional light. The dominant colors are deep blacks and browns, punctuated by the yellow glow of the bulb and the white shirt of the person facing away. The camera is positioned over the shoulder of the person in the foreground, creating an immersive, low-angle perspective that emphasizes the looming presence of the masked figure."

"plpfctn1994, A shirtless man in light-colored shorts is packing clothes into a large black suitcase in a modest bedroom, while a woman with short dark hair, seen from behind, sits on the bed watching him. The room contains a wooden chest with clothes, a closet with hanging jackets, a lamp with a pleated shade, and a doorway leading to a bathroom with pink tiles. Warm, directional lighting suggests late afternoon or early evening, casting soft shadows and highlighting the beige, cream, and muted brown tones of the space. The camera is positioned at eye level, capturing the scene from behind the woman, creating a sense of quiet observation."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 281 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.