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Grave Of The Fireflies 1988

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word grvfrfls1988 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"grvfrfls1988, A small child with short dark hair, wearing a light-colored shirt and patterned blue pants, stands at the threshold of a dark, wooden doorway embedded in a grassy, earthy embankment, seemingly about to enter. To the right, a covered wheelbarrow rests partially in the tall green grass, while a large sack lies on the ground nearby. The scene is bathed in soft, diffused daylight, suggesting late afternoon, with warm golden tones on the dirt path contrasting with the deep greens of the surrounding foliage and the shadowed interior of the doorway. The camera is positioned at a low, eye-level angle, framing the child’s back and the entrance as the central focus, surrounded by dense vegetation that frames the composition."

"grvfrfls1988, two figures stand in conversation on a sunlit courtyard path, one in a light-colored uniform with a cap and the other in a loose-fitting blue outfit carrying a green sack over one shoulder. Behind them, a stately building with tall columns and arched windows looms, while a wooden bench and a gnarled tree branch frame the foreground. Warm, golden sunlight bathes the scene, casting soft shadows and suggesting late afternoon. The palette is dominated by earthy browns, muted blues, and soft greens, with the building’s stone facade adding a touch of lavender-gray. The camera is positioned at eye level, capturing the interaction in a medium shot that emphasizes the characters’ expressions and the tranquil, slightly nostalgic atmosphere."

"grvfrfls1988, A family of three shares a quiet meal at a wooden table inside a traditional room with shoji screens, where a man in a sleeveless shirt drinks from a blue-patterned bowl, a woman in a light robe gently touches a child’s head while holding a bowl, and the child sits between them, looking up with wide eyes. The scene is bathed in soft, warm afternoon light filtering through the window, casting gentle shadows and highlighting the muted tones of pale blues, creams, and earthy browns. The camera frames the trio from a slightly elevated angle, emphasizing the intimacy of the moment and the simple, textured details of the bowls, rice balls, and wooden furniture."

"grvfrfls1988, A man in a light shirt and hat stands beside a dark brown horse harnessed to a wooden cart, gently holding its reins as if preparing to move or having just stopped. In the background, a vintage red and brown tram glides along tracks past traditional wooden houses with tiled roofs, while another person pushes a cart loaded with sacks nearby. The scene is bathed in bright, natural daylight under a vivid blue sky with scattered white clouds, suggesting a warm, sunny afternoon. The palette is dominated by earthy browns, muted greens, and the red of the tram, contrasted against the pale stone of the bridge and pavement. The camera captures a wide, eye-level shot that frames the street scene with depth, emphasizing the coexistence of old-world transport and architecture."

"grvfrfls1988, A small child with dark hair, wearing a white shirt and blue pants, runs joyfully along a winding dirt path, arms outstretched, toward a cluster of rustic wooden huts nestled among lush green trees. The scene is set in a sun-dappled, verdant forest clearing beside a calm body of water, with a swing hanging from a tree nearby and several buckets scattered along the path. Bright, natural daylight bathes the landscape, casting soft shadows and highlighting the vibrant greens of the foliage against the clear blue sky with fluffy white clouds. The camera is positioned at a high, slightly angled perspective, looking down upon the child and the surrounding nature, emphasizing the expansive, tranquil environment."

"grvfrfls1988, inside a crowded, vintage train car, passengers—mostly in muted military-style uniforms and civilian attire—stand or sit closely, some holding onto straps while others rest their heads, conveying a sense of weariness or routine travel. The interior features dark wooden paneling, red-painted metal handrails, and reflective windows that mirror the figures, enhancing the confined, intimate atmosphere. Warm, dim lighting casts soft shadows, suggesting late afternoon or early evening, with earthy tones of olive, gray, and deep burgundy dominating the palette. The camera is positioned at eye level, capturing the scene from within the carriage, emphasizing the density of the crowd and the quiet exhaustion of the journey."

"grvfrfls1988, A lone figure in a white shirt and green pants walks past a body lying motionless on the ground, while another person rides a bicycle in the background through a desolate, rubble-strewn street. The setting is a ruined urban landscape with overturned and charred trams, broken utility poles, and collapsed buildings under a hazy, smoke-filled sky. The lighting is dim and muted, suggesting late afternoon or dusk, casting long shadows and emphasizing the somber tones of gray, brown, and faded purple. The camera is positioned at eye level, framed by a large tree trunk on the left, creating a sense of immersion in the devastated environment."

"grvfrfls1988, A small child with dark hair, wearing a patterned blue skirt and a pink top, crouches near the entrance of a rustic wooden shed, holding a pink broom and looking upward with an expression of wonder. The setting is overgrown with lush green grasses and wildflowers, flanked by a large wooden barrel with a washboard, a white bucket, a blue glass bottle, and a straw umbrella leaning against the wall. Soft, diffused daylight filters through the foliage, casting gentle shadows and suggesting late afternoon. Dominant colors are earthy greens, browns, and muted blues, with pops of pink and white from the child’s clothing and flowers. The camera is positioned at eye level, framing the child and the shed entrance centrally, with the surrounding vegetation creating a natural,"

"grvfrfls1988, A lone figure in a blue patterned head covering and brown attire walks away down a narrow alleyway, carrying a bundle. The alley is flanked by weathered wooden buildings with dark, sloped roofs, and large, interlocking wooden hoops frame the foreground, creating a layered, tunnel-like perspective. The lighting is soft and diffused, suggesting an overcast day, casting muted shadows and giving the scene a cool, grayish-blue and earthy brown color palette. The camera is positioned low and centered, looking through the hoops toward the receding figure, emphasizing depth and isolation."

"grvfrfls1988, A young child with short dark hair lies on their back in a bed of lush green grass, gazing upward with a calm, slightly curious expression, one hand raised near their head while the other rests near their chest. The scene is bathed in soft, natural daylight that filters through unseen foliage, casting gentle shadows and highlighting the texture of the grass and the child’s skin. Dominated by rich greens of the vegetation and the pale, earthy tones of the child’s clothing and skin, the composition is framed from a high angle, looking down at the child as if from above, emphasizing their smallness within the verdant surroundings."

"grvfrfls1988, inside a dimly lit, crowded room, several people—some in uniform, others in civilian clothes—are gathered around rows of beds where injured individuals lie covered in blankets, while others tend to them with solemn focus. The setting appears to be a makeshift medical station or shelter, with wooden-framed windows letting in soft, diffused daylight from the left, casting long shadows across the floor and walls; posters and notices hang on the walls, and a few stools and simple wooden furniture are scattered about. The dominant colors are muted earth tones—browns, grays, and faded blues—with the occasional white of bandages or clothing providing contrast. The camera is positioned at eye level, capturing the scene from a wide, slightly angled perspective that emphasizes the density of the crowd and the somber,"

"grvfrfls1988, A person in a military-style uniform carries a small child on their back as they move through a burning wooden structure, flames licking at the walls and floor around them. The scene is set in a rustic, timber-framed building with a stone fire hydrant marked with Japanese characters and a metal bucket nearby, suggesting an emergency response. The lighting is warm and dramatic, with the fire casting an orange glow against the muted browns and grays of the wood and uniforms, indicating late afternoon or dusk. The camera frames the subjects in a medium shot from a slightly low angle, emphasizing the urgency and scale of the fire as they navigate the perilous environment."

"grvfrfls1988, A neatly folded stack of fabric, with the top layer in soft blue adorned with delicate white and pink cherry blossom patterns, rests atop a lavender-colored cloth on a woven bamboo mat. The scene is softly lit with natural, diffused daylight, suggesting a quiet morning or afternoon indoors. The dominant colors are pastel blue, lavender, and the gentle pink and white of the floral design, creating a serene and tranquil atmosphere. The camera is positioned at a low, close-up angle, emphasizing the texture of the fabric and the subtle shadows cast by the folds."

"grvfrfls1988, A young person in a light-colored tank top and cap stands at a wooden doorway, facing an older woman in a traditional white garment with a tied sash, who is seated and looking toward them. The setting is a traditional wooden house with shoji-style sliding doors and a wooden fence visible outside, where green foliage peeks through. Soft, natural daylight filters through the windows, suggesting late afternoon, casting gentle shadows across the figures and interior. The dominant colors are muted earth tones—beiges, browns, and greens—with the white clothing providing contrast. The camera frames the scene in a medium shot, capturing both figures in profile and partial frontal view, emphasizing their quiet, contemplative interaction."

"grvfrfls1988, A lone figure in military gear moves cautiously through a desolate battlefield, bent over as if searching or clearing debris. The ground is littered with shattered concrete, twisted metal, and the lifeless forms of fallen soldiers, while skeletal trees and smoldering ruins rise in the background under a hazy, smoke-filled sky. The lighting is dim and muted, casting long shadows and suggesting late afternoon or early evening, with dominant earthy tones of brown, gray, and faded ochre. The camera frames the scene from a low, wide angle, emphasizing the scale of destruction and the isolation of the solitary figure navigating the devastation."

"grvfrfls1988, A woman with her dark hair neatly tied in a bun is seated indoors, turned slightly to her right with a gentle, contemplative smile on her face. She wears a light-colored, traditional garment with a muted gray collar, and behind her, a sliding screen displays a painted motif of bamboo against a deep red background. The lighting is soft and diffused, suggesting late afternoon or early evening, casting subtle shadows across her face and the room’s lavender-toned walls. The dominant colors are muted pastels—lavender, cream, and gray—with accents of deep red and green from the screen’s artwork. The camera frames her in a medium close-up from a slightly elevated angle, focusing on her profile and upper torso, while the background elements provide cultural context without distracting from her quiet expression."

"grvfrfls1988, A family of three sits at a wooden dining table in a traditional Japanese-style room, with an adult in a white robe sipping from a blue-patterned bowl, while a child and another adult face away, eating from their own bowls. Behind them, a wooden cabinet holds various household items, including bottles and brushes, and the room is softly lit with warm, ambient light suggesting late afternoon or early evening. The dominant colors are muted earth tones—browns, creams, and soft blues—with the blue pattern on the bowls providing a gentle contrast. The camera is positioned at eye level, capturing the scene from behind the child, creating an intimate, observational perspective."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 296 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.