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8 Mile 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word 8ml2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"8ml2002, A weathered, multi-level parking garage stands in quiet decay, its concrete pillars and rusted beams supporting an upper floor where a few cars are parked, while a maroon sedan sits alone in the foreground, its taillights glowing faintly. The scene is lit by sparse, overhead bulbs casting a cold, bluish-green glow that highlights dust and grime on the surfaces, suggesting late evening or night. Dominated by shades of gray, muted brown, and the deep red of the car, the composition is framed from a low angle, emphasizing the towering, dilapidated structure and creating a sense of isolation and urban abandonment."

"8ml2002, A lone figure walks away down a narrow, wet alleyway at night, their silhouette cast long by a single overhead streetlamp. Parked cars line one side, their chrome and red taillights reflecting off the damp pavement, while graffiti and brick walls frame the dim corridor. The scene is bathed in cool blue and deep shadow, punctuated by the warm glow of the lamp and the muted reds of the vehicles. The camera is positioned low and slightly off-center, with a blurred foreground element suggesting a voyeuristic or observational perspective."

"8ml2002, A young man with short dark hair and intense blue eyes lies on his side on a striped, gold-and-brown upholstered couch, gazing thoughtfully toward the camera with a pensive expression. He wears a faded gray t-shirt, and a brown blanket is draped over his lower body, while a patterned pillow rests beside him. The scene is lit with warm, directional light that casts soft shadows across his face and the couch, suggesting late afternoon or early evening. The dominant colors are earthy tones—browns, golds, and muted grays—with the blue of his eyes providing a subtle contrast. The camera is positioned at a low angle, close to his face, creating an intimate and slightly tilted perspective that emphasizes his contemplative mood."

"8ml2002, A woman with blonde hair, wearing a black leather jacket, leans over a wooden counter in a dimly lit, cluttered kitchen, appearing to prepare or inspect food items. Behind her, dark wood cabinets with glass panels reflect muted greenery, while a vintage-style wall-mounted phone and a peacock feather decoration add character to the space. The lighting is warm and low, casting deep shadows and suggesting late afternoon or early evening, with dominant tones of brown, black, and muted green. The camera is positioned over the shoulder of an unseen person in the foreground, creating an intimate, observational perspective that frames the woman as the central focus."

"8ml2002, A weathered, off-white Ford Escort coupe, marked with rust along its lower body and featuring a brown stripe with the model name, is parked crookedly on a cracked asphalt street. Behind it, a brick building with boarded-up windows and overgrown grass suggests urban decay, while a second, rusted car sits abandoned further back. The scene is lit by flat, overcast daylight, casting muted tones across the gray pavement, faded green grass, and the car’s peeling paint. The camera captures the vehicle in a side profile, slightly angled to emphasize its worn condition and the gritty, neglected environment surrounding it."

"8ml2002, A lone figure walks away down a narrow, rain-slicked alleyway between tall, weathered brick buildings, their silhouette stark against the dim glow ahead. The wet pavement reflects scattered pools of light from distant streetlamps and parked cars, while fire escapes and boarded-up windows line the walls, deepening the urban gloom. The scene is bathed in cool, low-key lighting with dominant shades of dark blue, gray, and muted amber, suggesting a late-night or early-morning hour. Shot from a low, centered angle, the camera emphasizes the figure’s isolation and the alley’s oppressive, confined depth."

"8ml2002, A person wearing a dark beanie sits in the driver’s seat of a car, gazing out at a cityscape at night, their profile faintly illuminated by ambient light. Behind them, multi-story buildings with lit windows cast a warm glow against the cool, dimly lit street, while the car’s interior remains mostly shadowed. The scene is bathed in low-key lighting, with dominant tones of deep black, muted green, and amber from the windows, creating a moody, urban nighttime atmosphere. The camera is positioned at a low angle from the passenger side, capturing the car’s windshield and roofline as they frame the subject’s contemplative posture."

"8ml2002, A person with long, light-colored hair lies face-down on a bed, partially covered by a dark, textured blanket, with their arms tucked beneath them. The bed is dressed in patterned sheets with floral motifs in beige and brown tones, and a pillow with lace trim is visible nearby. The room is dimly lit with warm, subdued lighting, suggesting late afternoon or evening, casting soft shadows across the scene. The dominant colors are earthy browns, muted creams, and dark charcoal, creating a somber, intimate atmosphere. The camera is positioned at a low angle, capturing the subject from the side, emphasizing the stillness and quietude of the moment."

"8ml2002, A group of five individuals stands in a tense, confrontational cluster in a dimly lit urban alleyway, with one person holding a bag over their shoulder and another smoking, smoke curling into the air. Behind them, parked vehicles and weathered brick walls frame the scene, suggesting a gritty, industrial environment. The lighting is low and moody, casting deep shadows and highlighting the cool blue and muted red tones of their clothing, especially a striking red velvet coat. The camera captures them from a medium shot, slightly angled to emphasize the group’s dynamic and the looming presence of the figures, creating a sense of immediacy and unease."

"8ml2002, A man in a patterned knit beanie and plaid shirt laughs openly, his head tilted back slightly, surrounded by a dense crowd of people in a dimly lit, enclosed space. The lighting is low and moody, casting deep shadows and highlighting the man’s expressive face, suggesting an indoor nighttime setting. Dominant colors are muted earth tones—browns, greens, and dark blues—with the beanie’s pattern adding a subtle contrast. The camera frames the scene tightly, focusing on the laughing man while partially obscuring others around him, creating an intimate, immersive perspective."

"8ml2002, A person wearing a gray sweatshirt and worn, dirty work gloves is carefully adjusting or tightening a component within a dark, cluttered engine bay. The setting is the underside of a vehicle’s hood, with visible mechanical parts, hoses, and a circular metal cover dominating the foreground. The lighting is dim and focused, casting deep shadows and highlighting the gritty texture of the gloves and engine components, suggesting an overcast or indoor environment. Dominant colors are muted grays, blacks, and browns, with the beige of the gloves providing a subtle contrast. The camera is tightly framed, angled slightly downward, emphasizing the hands and the mechanical task at hand."

"8ml2002, A person in a light-colored sweatshirt and dark beanie is rapping into a microphone, gesturing with their free hand toward another individual in a white tank top who stands facing them. The scene unfolds in a dimly lit, gritty indoor space, likely a basement or warehouse, with a crowd of onlookers seated or standing in the foreground and background, some leaning against walls or watching intently. The lighting is low and moody, casting deep shadows and highlighting the central figures with a cool, greenish tint, suggesting nighttime or artificial illumination. Dominant colors are muted grays, blacks, and the pale tones of the performers’ clothing, contrasted by the white tank top. The camera is positioned at eye level, capturing the interaction from a slightly angled perspective that emphasizes the dynamic"

"8ml2002, A person in a dark beanie and jacket stands in the foreground, observing another individual with blonde hair walking away down a dimly lit, wet alleyway between trailers. The setting is a cluttered, nighttime residential area with a parked red car, scattered debris, and faint lights glowing from windows and overhead fixtures. The scene is dominated by muted grays, deep blacks, and the faint red glow from the car, creating a moody, atmospheric tone. The camera is positioned over the shoulder of the foreground figure, framing the scene with a shallow depth of field that keeps the focus on the receding figure and the gritty environment."

"8ml2002, A person with long hair, seen from behind, stands in a dimly lit, wood-paneled room, gazing toward a closed door with a broken windowpane. To the left, an old CRT television displays a grainy image of a child holding a book, while a single overhead lamp casts a warm glow on the wall and a curtain nearby. The scene is bathed in muted browns and grays, with the television screen’s blueish tint offering a stark contrast. The camera is positioned over the shoulder of the viewer, creating an intimate, suspenseful perspective focused on the door and the television."

"8ml2002, A person is captured mid-performance, singing passionately into a handheld microphone, their mouth open wide and their expression conveying intense emotion. The setting appears to be a dimly lit stage or concert venue, with a blurred background of indistinct lights and shadows suggesting an audience or stage lighting. The lighting is low-key and dramatic, casting strong shadows on the performer’s face while highlighting the contours of their jaw and the microphone’s textured grille. Dominant colors are deep blacks and muted blues, with warm highlights accentuating the performer’s skin and the microphone. The camera is tightly framed in a close-up, angled slightly from the side, focusing on the mouth and microphone to emphasize the act of singing."

"8ml2002, A lone figure in a dark hoodie and pants walks away down a narrow, wet alleyway, their right arm extended as if gesturing or pointing toward something unseen ahead. Parked cars line the right side, including a red sedan and a silver vehicle, while dumpsters and graffiti-scarred walls frame the left. The scene is bathed in the cool, dim glow of artificial streetlights, casting long shadows and reflecting off the damp pavement, suggesting a late-night urban environment. Dominant colors are muted blues, grays, and blacks, punctuated by the red car and the faint yellow of distant light. The camera is positioned low and slightly off-center, with a shallow depth of field that blurs the foreground and keeps the focus on the receding figure, enhancing the sense of isolation and"

"8ml2002, A young man in a dark leather jacket leans in, his face partially lit by a soft, directional light that highlights his smile as he engages in a quiet conversation with another person whose back is to the camera. The setting appears to be a dim, gritty interior with a weathered, textured wall behind them, suggesting an urban or industrial space. The lighting is low-key and moody, casting deep shadows and emphasizing the contrast between illuminated skin and dark clothing, with dominant tones of black, charcoal, and muted gray. The camera frames the scene in a tight close-up, angled slightly from the side to capture the intimacy of the interaction while keeping the second person’s features obscured."

"8ml2002, two men in dark jackets emerge from the open rear doors of a black SUV parked in a dimly lit alley, one holding a bundled object while the other gestures outward. The setting is an urban alleyway at night, flanked by brick walls and a parked silver station wagon in the background, with sparse overhead lighting casting deep shadows. The dominant colors are dark tones of black and charcoal, punctuated by the metallic sheen of the SUV’s rims and the muted glow of ambient light. The camera is positioned at a medium distance, slightly low, capturing the men in profile as they interact with a group of figures in the foreground, creating a sense of tension and immediacy."

"8ml2002, A man with a beanie and a worn brown jacket leans against a wall in a dim, gritty hallway, holding a wooden cane and looking upward with a weary expression. The setting is a narrow corridor lined with graffiti-covered metal doors and concrete walls, illuminated by a single, flickering fluorescent light casting a greenish-yellow glow. The scene feels abandoned and decaying, with peeling paint, scattered stickers, and exposed pipes adding to the atmosphere. The camera frames him from a low angle, emphasizing the confined space and his solitary presence."

"8ml2002, A vehicle speeds past a roadside diner at night, its motion blur streaking the neon signs and windows into glowing smears of red and green. The setting is a dark, urban street lined with glowing signage and distant streetlights, with the diner’s awning and illuminated menu board standing out against the blackness. The lighting is low and artificial, dominated by electric hues of orange, teal, and white, casting a moody, cinematic glow. The camera is positioned from inside the moving vehicle, angled slightly upward, capturing the blur of motion and the fragmented reflections on the glass."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 264 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.