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Ronin 1998

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word rnn1998 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"rnn1998, A solitary figure ascends a long, narrow outdoor staircase flanked by metal railings, their back turned as they move upward toward a hazy sky. The setting is an urban alleyway between weathered, multi-story buildings with shuttered windows and exposed pipes, under a muted, overcast sky that casts soft, diffused light across the scene. The dominant colors are desaturated grays and muted browns, emphasizing a somber, gritty atmosphere. The camera is positioned low, looking up the stairs, creating a sense of scale and isolation, with text overlaid in the center foreground."

"rnn1998, from the perspective of a driver, a white Mercedes-Benz truck with a box trailer is visible in the adjacent lane, while a silver sedan with its headlights on approaches from ahead. The scene unfolds on a multi-lane highway bordered by concrete barriers and bare trees under an overcast sky, with distant lampposts lining the road. The lighting is diffused and muted, suggesting late afternoon or early evening, and the dominant colors are gray, beige, and muted green from the roadside vegetation. The camera is framed from inside a vehicle, capturing the dashboard, steering wheel, and the driver’s shoulder in the foreground, creating an immersive, first-person viewpoint."

"rnn1998, A grand, multi-story white hotel with “MAJESTIC” emblazoned across its roof dominates the scene, its elegant facade lined with balconies and framed by palm trees. Below, a street bustles with cars, including a dark sedan and a white hatchback, while pedestrians move near storefronts like “C. CACHET” and “ALFRED DUNHILL.” The bright, golden sunlight suggests late afternoon, casting long shadows and illuminating the warm beige and white tones of the architecture and foliage. The camera captures the scene from a low, slightly angled perspective, emphasizing the hotel’s imposing scale and the lively urban environment surrounding it."

"rnn1998, A lone pedestrian walks away from the camera down a narrow, cobblestoned street lined with parked vehicles, including a bright yellow van and a silver sedan. The setting is an urban European street corner, with a large building featuring stone steps and glass doors on the left, and older brick and stone facades receding into the distance. The lighting is flat and diffused, suggesting an overcast day, casting soft shadows and giving the scene a muted, grayish tone. Dominant colors are the gray of the pavement and buildings, contrasted by the yellow van and the dark tones of the parked cars. The camera is positioned low to the ground, angled slightly upward, capturing the street’s perspective as it curves away, emphasizing the depth and quiet atmosphere of the scene."

"rnn1998, A dark sedan with bright headlights is speeding toward the camera inside a narrow, curved tunnel, its motion creating a slight blur. The tunnel walls are lined with aged, light-colored tiles, some showing peeling or dark stains, and overhead lights cast a warm, artificial glow along the curved ceiling. The asphalt road is marked with a faded white line, and another vehicle is visible in the background, further down the tunnel. The dominant colors are muted grays and browns, punctuated by the stark white of the headlights and the warm yellow of the tunnel lights. The camera is positioned low and centered on the road, capturing the car’s approach head-on with a shallow depth of field that blurs the background."

"rnn1998, A man in a blue uniform walks across a sunlit European street, pulling a long hose that trails behind him, while pedestrians gather near market stalls under umbrellas. The setting is a bustling urban square flanked by pastel-colored buildings with arched ground-floor entrances and shuttered windows, with a pile of wooden crates and a parked white van with red and blue stripes visible in the foreground. Bright daylight casts sharp shadows, indicating midday, and the dominant colors are warm yellows and ochres of the buildings, contrasted with the deep blue of the uniform and the gray asphalt. The camera is positioned at street level, capturing a wide-angle view that emphasizes the depth of the scene and the movement of the van, which is blurred to suggest motion."

"rnn1998, A man sits inside a dark gray Citroën sedan, holding a phone to his ear, as the car is parked on a cobblestone street. Behind him, several other vehicles are parked along the roadside, and a few pedestrians stand near a stone wall and a building with arched windows. The scene is bathed in warm, late afternoon sunlight, casting long shadows across the pavement, with the dominant colors being muted grays, browns, and the pale yellow of the building facade. The camera is positioned at a low, three-quarter angle, capturing the car’s front and side profile while emphasizing the texture of the cobblestones and the reflective surface of the vehicle."

"rnn1998, A close-up captures a grinding tool in motion, its abrasive surface violently scraping against a metal workpiece, sending a shower of bright orange sparks flying diagonally across the frame. The setting is a dim, industrial workspace, with the dark, textured surface of the metal and blurred mechanical components in the background suggesting a workshop or fabrication area. The lighting is low and focused, emphasizing the fiery glow of the sparks against the muted grays and blacks of the surroundings, indicating either early morning or late evening. The camera is tightly framed, angled slightly downward to follow the trajectory of the sparks, creating a sense of dynamic energy and precision."

"rnn1998, A dark-colored Audi sedan speeds forward on a dirt road, kicking up a thick cloud of dust that obscures much of its lower body and surroundings. The vehicle’s front grille and headlights are visible, with a license plate reading “Z8 FX 75,” while the background consists of blurred green foliage and earthy tones. The scene is lit with muted, diffused natural light, suggesting an overcast or late afternoon setting, and the dominant colors are earthy browns, dark greens, and the car’s charcoal gray. The camera is positioned low and directly ahead of the car, creating a sense of motion and urgency as the vehicle advances through the dusty terrain."

"rnn1998, A black sedan and a yellow vintage car are driving forward in a narrow, dimly lit tunnel, with other vehicles visible ahead under a row of overhead lights. The tunnel’s concrete walls show signs of wear and peeling paint, and a few people sit on a ledge to the left, while cobblestone pavement lines the foreground. The scene is illuminated by artificial lighting casting long shadows, suggesting nighttime or deep underground, with dominant colors of dark gray, muted yellow, and black. The camera is positioned low and angled slightly upward, capturing the vehicles’ motion and the tunnel’s receding perspective."

"rnn1998, A dark sedan is captured in motion, driving on a multi-lane highway with blurred taillights and surrounding vehicles, suggesting high speed. In the background, a large, modern white archway stands prominently against a hazy urban skyline, flanked by tall buildings with reflective glass facades. The lighting is dim and diffused, indicating late afternoon or early evening, with muted tones of gray, black, and yellow from vehicle lights dominating the scene. The camera is positioned from behind and slightly to the side of the sedan, creating a dynamic, motion-blurred perspective that emphasizes speed and movement through the cityscape."

"rnn1998, A vintage black car with glowing headlights glides along a wet, reflective street at night, passing a long, industrial building with a series of arched, glass-paneled windows and a low, dark fence running alongside. The building’s windows are mostly dark, with a few faint interior lights casting a warm glow, while street lamps and the car’s headlights illuminate the scene with yellow highlights against the deep, cool shadows. The dominant colors are muted grays, blacks, and the yellow-orange of artificial light, creating a moody, cinematic atmosphere. The camera is positioned at a low, slightly angled perspective, emphasizing the length of the building and the car’s movement through the frame."

"rnn1998, A group of heavily armed individuals in black tactical gear and helmets are moving swiftly through a narrow urban street, some crouching behind a dark sedan while others advance with weapons raised. The scene is set in front of a pink building with ornate balconies and a red awning bearing the words “Restaurant” and “La Barque,” with a white van partially visible to the left. The lighting suggests late afternoon or early evening, casting soft shadows and giving the scene a muted, cinematic tone. Dominant colors include the pink facade, red awning, and dark tones of the uniforms and vehicles, contrasted by the pale sky. The camera is positioned at street level, capturing the action with a slight motion blur that conveys urgency and movement."

"rnn1998, A weathered, dark-colored car occupies the foreground, its hood and windshield wiper visible, suggesting a stationary or slow-moving perspective from within or just behind the vehicle. Beyond it, a street scene unfolds with several cars—including a white van and a dark station wagon—on a road bordered by a black metal railing, leading toward a grand, multi-story pinkish-red building with white-trimmed windows and a classical facade. A smaller white temple-like structure with columns stands to the left, while a construction crane looms in the background against a pale blue sky. The lighting is bright and even, indicating midday, casting soft shadows and highlighting the warm tones of the architecture and the muted grays of the vehicles. The dominant colors are the reds and pinks of the buildings, contrast"

"rnn1998, A man with long, graying hair and a beard, wearing thick-rimmed glasses, leans intently over a metallic object, his gaze fixed downward as if examining or adjusting it. Behind him, a wooden shelving unit holds various indistinct items, including what appears to be a small figurine or toy with colorful details. The scene is lit with warm, dim indoor lighting, casting soft shadows and suggesting an evening or nighttime setting. Dominant colors are muted browns, grays, and the dark tones of his clothing, contrasted by the metallic sheen of the object in front of him. The camera frames him in a tight close-up from a slightly low angle, emphasizing his focused expression and the details of his face and the object he’s interacting with."

"rnn1998, A group of visitors stands along the curved stone seating of a large, ancient amphitheater, looking down into the sandy central arena bordered by a red-rimmed barrier. The setting is a weathered, multi-tiered structure with arched openings in the upper walls and metal railings along the steps, under an overcast sky that casts soft, diffused light across the scene. The dominant colors are muted grays and browns of the stone, contrasted by the red trim and the varied tones of visitors’ jackets. The camera is positioned at a high angle, looking down into the arena, emphasizing the scale and emptiness of the space while capturing the small cluster of people exploring the historic site."

"rnn1998, A black BMW sedan, its headlights blazing white, speeds forward through a dimly lit urban tunnel, its license plate reading “510 ANT 75.” The vehicle’s motion is emphasized by motion blur on the road and tunnel walls, while the tunnel’s concrete arches and metal railings frame the scene. The lighting is stark and artificial, casting sharp reflections on the car’s glossy surface against the deep shadows of the tunnel, dominated by blacks, grays, and the bright white of the headlights. The camera is positioned low and directly ahead, capturing the car’s front grille and bumper as it advances, creating a sense of urgency and immersion."

"rnn1998, A person with long, flowing hair walks briskly across the foreground, partially obscuring the view, while a dark gray SUV is parked on the street beside a tree-lined sidewalk. The background reveals a European-style café with white and yellow umbrellas, outdoor tables, and patrons seated, set against pastel-colored buildings with shuttered windows. The lighting is soft and diffused, suggesting late afternoon or early evening, casting gentle shadows and giving the scene a muted, warm tone. Dominant colors include earthy browns, faded greens, and the gray of the pavement and vehicle, contrasted by the bright yellow of café umbrellas. The camera is positioned at street level, capturing the motion blur of the passing figure and the stillness of the parked car and café, creating a dynamic yet tranquil"

"rnn1998, A heavily armed individual in full black tactical gear, including a balaclava, sprints across a city street while holding a rifle, emerging from the open side door of a white van marked with a brown stripe. The scene unfolds on a sunlit urban street lined with pastel-colored buildings featuring balconies and awnings, with other vehicles—including another white van and a police car—visible nearby. The lighting suggests late afternoon, casting soft shadows and highlighting the warm tones of the architecture against the stark black of the operative’s gear. The camera captures the action from a low, slightly angled perspective, emphasizing the urgency and movement as dust and smoke rise from the pavement near the van’s rear wheel."

"rnn1998, A busy urban roadway is filled with cars moving in multiple lanes, some in motion blur, suggesting heavy traffic flow near an overpass. The setting includes a stone retaining wall on the left with a colorful billboard, street signs including a red “no entry” sign, and bare trees lining the right side, with a distant bridge spanning the horizon. The lighting is soft and diffused, indicating either early morning or late afternoon under an overcast sky, casting muted tones across the asphalt and vehicles. Dominant colors are gray and black from the cars and pavement, contrasted by the blue of the billboard and the pale sky. The camera is positioned at a low, slightly angled perspective from within the traffic, creating a sense of immersion in the urban environment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.