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28 Days Later 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word 28dysltr2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"28dysltr2002, A person with tousled hair sits hunched forward, their head resting in their hand, suggesting deep contemplation or distress, in a dimly lit room. The background wall is adorned with posters, including one for “Date at the Cross,” and a vertical light source on the left casts a narrow beam, illuminating part of the wall and the subject’s silhouette. The lighting is low and moody, with warm tones from the artificial light contrasting against the deep shadows, suggesting evening or night. The dominant colors are dark browns, blacks, and muted yellows, with the posters adding splashes of faded red and blue. The camera is positioned at a low angle, capturing the subject from the side and slightly below, emphasizing their isolation and emotional weight."

"28dysltr2002, A dimly lit, cluttered interior space, possibly a storage or industrial area, is viewed through the silhouette of a metal rack or cage structure. The foreground is filled with a dense, textured surface of small, rounded objects, while behind the rack, plastic sheeting and graffiti-covered walls are faintly illuminated by a single, cold-toned light source. The scene is bathed in deep shadows with a monochromatic greenish-blue hue, suggesting nighttime or artificial lighting in a neglected environment. The camera is positioned low and angled upward, emphasizing the oppressive, confined atmosphere and the stark contrast between the dark foreground and the faintly lit background."

"28dysltr2002, A dimly lit, abandoned room with a checkered floor, where a single glowing light source casts eerie shadows across ornate mirrors and a partially open wooden door. The setting is a decaying interior with peeling walls, a discarded chair, and a bathtub in the corner, suggesting neglect and disuse. The lighting is minimal and warm-toned, creating a moody, late-night atmosphere with deep browns, muted yellows, and stark black-and-white floor tiles. The camera is positioned low and angled, enhancing the sense of unease and immersion in the desolate space."

"28dysltr2002, A person in a bright green hospital gown stands with their head tilted upward, gazing at a wall densely covered with handwritten notes, photographs, and small mementos. The wall, likely a memorial or message board, is layered with overlapping papers in various colors and states of wear, creating a textured, emotionally charged surface. Warm, golden light bathes the scene from the side, suggesting late afternoon or early evening, casting soft shadows and highlighting the contours of the person’s head and shoulders. The camera frames the subject from behind and slightly to the side, emphasizing their contemplative posture against the overwhelming visual clutter of the wall."

"28dysltr2002, A person in a green cardigan and purple top is actively pulling and adjusting a large, white fabric canopy that stretches across the foreground, with a distinct pink stripe running along its edge. The setting is an outdoor, natural environment with blurred green trees and rolling hills in the background, suggesting a rural or park-like location. The lighting is soft and diffused, indicating an overcast day, which casts even tones across the scene without harsh shadows. Dominant colors include the white and pink of the canopy, the muted green of the foliage, and the earthy tones of the distant landscape. The camera is positioned low, looking up at the person, emphasizing the scale of the canopy and creating a dynamic, immersive perspective."

"28dysltr2002, two individuals are huddled inside a cramped, metallic space, possibly a vehicle or industrial structure, with one leaning forward and the other resting their head against a surface. The setting is dimly lit with cold, greenish-blue tones, suggesting nighttime or an enclosed, artificially lit environment, and the metal framework and worn surfaces hint at a utilitarian or damaged location. The dominant colors are muted grays, dark blues, and blacks, with faint reflections on the metal surfaces. The camera is positioned at a low, tilted angle, creating a claustrophobic and immersive perspective that emphasizes the confined space and the subjects’ proximity to each other."

"28dysltr2002, A lone dark vehicle travels down a multi-lane highway, moving toward the horizon beneath a heavy, overcast sky. The road is flanked by tall, evenly spaced streetlights and bordered by dense green foliage, with a concrete overpass crossing above. The lighting is dim and moody, suggesting late afternoon or early evening, with distant city lights glowing faintly on the horizon. Dominant colors are muted grays, deep greens, and the stark blue of highway signs. The camera is positioned high above the road, looking straight down the center, creating a long, symmetrical perspective that emphasizes the emptiness and scale of the scene."

"28dysltr2002, A man and a woman are positioned close together outdoors, with the woman seen from behind, her dark hair pulled back and adorned with a gold hoop earring and a delicate gold chain necklace. The man, partially in frame, gazes intently toward her, his expression serious, set against a backdrop of dense, green foliage. The lighting is soft and diffused, suggesting an overcast day or late afternoon, casting muted tones across the scene. Dominant colors are deep greens from the trees, contrasted with the warm gold of the jewelry and the man’s dark jacket over a maroon shirt. The camera employs a tight, over-the-shoulder framing that emphasizes their proximity and the emotional weight of the moment."

"28dysltr2002, from inside a vehicle, two individuals are seated, one steering while the other looks forward, both focused on a highway ahead obscured by rain and a hazy, overcast sky. The windshield wipers are in motion, and a rearview mirror hangs centered above the dashboard, which holds a digital display with faint red numerals. The scene is dimly lit with a cool, teal-blue tint dominating the view outside, suggesting either early morning or late evening under cloudy conditions. The camera is positioned over the shoulders of the occupants, framing the road ahead through the windshield and capturing the interior’s muted tones and the blurred, wet exterior."

"28dysltr2002, A person in a long, weathered trench coat and gloves stands beside a dark Volvo sedan, holding a small object in one hand while facing another individual partially visible on the left. The car, with license plate N290, is parked in front of a residential house with a brick facade and greenery, including bushes and trees that partially obscure the view. The lighting suggests late afternoon or early evening, casting a warm, yellowish glow from behind the house, contrasting with the darker, shadowed foreground. The dominant colors are muted earth tones—browns, greens, and grays—with the car’s dark paint and the foliage creating depth. The camera is positioned at eye level, capturing the scene from a medium distance, emphasizing the interaction between the figures and the surrounding environment."

"28dysltr2002, A lone figure stands amidst a chaotic pile of overturned shopping carts, holding a bright flashlight that cuts through the gloom, illuminating dust and debris in the air. The setting is a dim, abandoned indoor space, possibly a warehouse or mall, with concrete walls and scattered metal structures in the background. The lighting is stark and high-contrast, with the flashlight’s beam creating a sharp focal point against the deep shadows, suggesting nighttime or a power outage. Dominant colors are muted teal and black, with the white glow of the light source providing the only vivid contrast. The camera is positioned low and angled upward, framed through the intersecting metal bars of the carts, creating a sense of confinement and tension."

"28dysltr2002, A shirtless man stands with his back to the camera, reaching toward a window where a child in red clothing is visible, seemingly interacting with him. The room is dimly lit, with light filtering through a large window on the right and a smaller one near the center, casting soft, muted illumination across the worn wooden walls and furniture. The dominant colors are dark browns, deep shadows, and the stark contrast of the child’s red garment against the gloom. The camera is positioned low and angled upward, emphasizing the man’s posture and the height of the window, creating a sense of intimacy and tension within the confined, aged interior."

"28dysltr2002, A person with dark, tousled hair is hunched forward, their head bowed and shoulders slumped, suggesting exhaustion or despair. They stand in a dimly lit room, framed by a narrow beam of light from a window behind them, casting their silhouette against a backdrop of bookshelves and a cabinet with vertical streaks of red staining its surface. The dominant colors are muted greens and grays, punctuated by the stark contrast of the bright window and the vivid red marks. The camera is positioned at a low angle, capturing the subject from the side and slightly behind, emphasizing their isolation and the oppressive atmosphere of the space."

"28dysltr2002, A person in green scrubs stands near a wall-mounted phone, holding the receiver to their ear, seemingly engaged in a conversation, while scattered chairs and debris lie on the polished floor. The setting is the interior of a Costa Coffee shop, identifiable by the signage above glass doors that reflect a bright, sunlit exterior with a grid-patterned facade. Strong, direct sunlight streams through the windows, casting sharp reflections on the glossy floor and illuminating the scene in warm, golden tones. The dominant colors are the green of the scrubs, the beige and brown of the chairs, and the neutral whites and grays of the walls and floor, contrasted by the bright backlighting. The camera is positioned at a low angle, capturing the scene from a slightly tilted perspective that emphasizes the scattered chairs and"

"28dysltr2002, A person in a red shirt stands in a dimly lit, cluttered pantry, reaching toward a shelf stocked with canned goods and bottles, their back partially turned. The setting is a narrow, rustic room with peeling walls, wooden shelves overflowing with food items, and a doorway leading to a staircase in the background. Light streams in from a high window, casting sharp shadows and illuminating the metallic sheen of cans and the amber hues of glass bottles. Dominant colors are muted browns and grays, punctuated by the red of the shirt and the bright labels on the cans. The camera is positioned at a low angle, looking up along the shelf, creating a sense of confinement and depth."

"28dysltr2002, A man in dark clothing stands on a rooftop, one hand near his chin, surrounded by a scattered array of colorful plastic containers, buckets, and bowls in red, green, yellow, and blue. The setting is an urban rooftop with a concrete parapet, visible utility boxes, and a hazy cityscape stretching into the distance under an overcast sky. The lighting is flat and diffused, suggesting late afternoon or early evening, casting muted tones over the scene. The camera frames the man centrally, with the foreground filled with the vibrant, chaotic assortment of containers, creating a contrast between the orderly figure and the cluttered environment."

"28dysltr2002, from inside a vehicle, the view is framed by a large, curved, reflective windshield that distorts the outdoor scene, revealing a hazy, open landscape with distant structures and a low horizon. The interior includes red-painted metal fixtures, a portion of a red seat, and a small rectangular window frame mounted on the windshield, all under dim, ambient light suggesting early morning or late afternoon. The dominant colors are muted grays and browns of the exterior, contrasted with the deep reds of the interior, while the lighting casts soft shadows and highlights the reflective surface of the windshield. The camera is positioned at eye level from within the vehicle, looking forward through the windshield with a slightly tilted angle, emphasizing the curvature and distortion of the glass."

"28dysltr2002, A person in loose, light-green scrubs stands on a wide bridge, holding a white plastic bag, amid scattered trash and debris littering the roadway. Behind them, a grand, ornate stone building with Gothic architecture rises against a hazy sky, while the bridge’s metal railing runs along the left side. The scene is bathed in warm, golden light, suggesting late afternoon or early evening, casting long shadows and highlighting the muted tones of the surroundings. The dominant colors are earthy browns and greens, contrasted by the stark white of the bag and the dull gray of the pavement. The camera is positioned at a medium distance, capturing the subject from the waist up while including the expansive bridge and distant architecture, creating a sense of scale and isolation."

"28dysltr2002, A close-up shot captures a folded newspaper with bold, large headlines dominating the frame, including “EVACUATION” and “Refugee Crisis Looms,” suggesting urgent global news. The paper rests on a surface with blurred background objects, possibly a table or desk, and is held at an angle, with a thumb visible at the bottom left corner. The lighting is even and artificial, casting soft shadows, indicating an indoor setting during daytime. Dominant colors are the stark white of the paper, contrasted with deep blue headers and black text, accented by small red and purple elements. The camera is tightly framed, focusing on the headline text while blurring the surrounding details to emphasize the gravity of the news."

"28dysltr2002, A figure in a red garment stands in a dimly lit, cluttered interior space, partially obscured by shadows and motion blur, suggesting movement or tension. In the foreground, a large, metallic blade rests on a crumpled, dark fabric surface, while a window to the left casts a narrow beam of natural light onto a wooden door frame. The scene is dominated by deep shadows and muted tones of red, black, and gray, with the only bright element being the sliver of daylight. The camera is positioned low, angled upward, creating a sense of immediacy and unease as it frames the blade prominently in the foreground."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.