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City Of God 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word ctygd2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"ctygd2002, A low-angle shot captures the silhouette of a multi-story building against a pale blue sky streaked with wispy clouds, with several overhead power lines cutting diagonally across the frame. In the distance, the rooftops of other buildings are visible, some adorned with antennas, while a few small birds perch or fly near the wires. The lighting suggests early morning or late evening, casting deep shadows on the building’s facade and creating a high-contrast scene dominated by cool blues and stark blacks. The camera is tilted upward, emphasizing the verticality of the architecture and the expansive sky above."

"ctygd2002, A chaotic street scene unfolds from a high-angle perspective, where several individuals are running or crouching amid tangled overhead wires, while two others lie motionless on the pavement. A white van is parked askew near a graffiti-covered wall, and a corrugated metal roof and utility pole dominate the foreground, adding to the urban clutter. The lighting is flat and cool, suggesting an overcast day, with muted tones of gray, blue, and faded white dominating the palette. The camera’s elevated, tilted angle emphasizes the disarray and scale of the environment, capturing the tension and urgency of the moment."

"ctygd2002, A person in a dark, buttoned shirt leans intently over a magnifying glass, examining a small, detailed object held just beneath the lens. The setting appears to be a cluttered, dimly lit workspace, with indistinct furniture and papers in the background, suggesting a focused, investigative atmosphere. The lighting is low and moody, casting deep shadows across the subject’s face and clothing, with cool blue and gray tones dominating the scene. The camera is positioned at a close, low angle, emphasizing the subject’s concentrated expression and the reflective surface of the magnifying glass."

"ctygd2002, A person with curly hair leans intently over a cluttered table, carefully handling a small object with a tool, surrounded by newspapers and a handgun resting nearby. The dim, cold-lit room appears abandoned, with a refrigerator and a small window in the background letting in faint daylight, suggesting late afternoon or early evening. The scene is dominated by muted blues, grays, and shadows, with stark contrast from the single light source illuminating the workspace. Shot from a low, close angle, the frame focuses tightly on the subject’s hands and the table, emphasizing the gritty, tense atmosphere."

"ctygd2002, A person in a red-and-white striped shirt is holding and counting a stack of currency notes, their hands positioned centrally in the frame. The background is softly blurred greenery, suggesting an outdoor setting, while the subject’s left wrist features a metallic bracelet. Bright, natural daylight illuminates the scene, casting soft shadows and highlighting the warm tones of the money and the shirt’s bold stripes. The camera is tightly framed on the torso and hands, emphasizing the action of handling the cash."

"ctygd2002, A person in a light-colored, patterned shirt is being held or carried by another individual, their face partially obscured in shadow. The scene takes place against a textured, rough wall, with a second figure visible in the background, suggesting a confined, possibly urban or industrial space. The lighting is dim and directional, casting stark highlights on the shirt and deep shadows across the faces, indicating nighttime or low-light conditions. Dominant colors are muted greens, blacks, and grays, with high contrast between illuminated surfaces and dark areas. The camera is positioned at a low angle, creating a tight, immersive frame that emphasizes the physical interaction and the gritty environment."

"ctygd2002, A solitary figure stands silhouetted on a rooftop, gazing toward the horizon as the sun sets behind distant mountains. The scene is framed by a dense network of overhead power lines and utility poles, with the dark outlines of nearby buildings and rooftops in the foreground. Warm orange and dusky pink hues dominate the sky, casting a soft glow over the hazy landscape below, while the foreground remains in deep shadow. The camera is positioned at a low angle, looking upward through the tangled wires, emphasizing the contrast between the urban infrastructure and the natural backdrop."

"ctygd2002, A vintage white Volkswagen Beetle, marked with the number “663” on its rear, drives slowly down a dusty, unpaved road lined with rows of modest, single-story houses with red-tiled roofs. The scene is bathed in the warm, diffused light of late afternoon, casting long shadows and highlighting the earthy tones of the terrain and buildings. The dominant colors are muted ochres, beige, and faded white, with the car’s weathered paint and rusted bumper adding texture. The camera is positioned low and slightly behind the vehicle, capturing the road’s tire tracks and the quiet, residential atmosphere stretching into the hazy distance."

"ctygd2002, A person with curly, light-brown hair and glasses, wearing a yellow and black striped shirt, leans forward with their head tilted down, appearing focused on something out of frame. To the right, a red-handled plunger stands upright against a dark, textured wall, suggesting a bathroom or utility space. The lighting is dim and warm, casting soft shadows and giving the scene an intimate, late-afternoon or indoor ambiance. Dominant colors are earthy yellows, deep reds, and muted grays, with the camera positioned at a low angle, capturing the subject’s profile and upper torso in a tight, immersive frame."

"ctygd2002, A group of men in light-colored shirts and dark pants are gathered around a wooden table in a narrow, dimly lit corridor, with one man being restrained by another while others observe. The setting appears to be an institutional or utilitarian space, with rough concrete walls and a worn floor, suggesting a prison or detention facility. The lighting is stark and high-contrast, with bright daylight streaming in from an unseen opening, casting deep shadows and creating a cold, blue-toned atmosphere. The dominant colors are muted grays, blues, and blacks, emphasizing the somber mood. The camera is positioned from within a shadowed doorway, framing the scene through a narrow aperture that adds a voyeuristic, confined perspective."

"ctygd2002, A single-story, pale yellow house with a terracotta-tiled roof stands under a hazy, dusky sky, its front door and window framed by dark metal grilles; a person is partially visible in the background near hanging laundry. The setting is a quiet, sun-baked residential street with adjacent buildings, and the warm, low-angle light casts long shadows across the dusty ground, suggesting late afternoon or early evening. Dominant colors are earthy yellows, browns, and muted grays, with the camera positioned at eye level for a straightforward, grounded perspective."

"ctygd2002, uniformed officers in helmets are apprehending a person on the ground near a green truck, while another officer runs toward them from a vintage police Volkswagen Beetle parked nearby. The scene unfolds on a dusty, unpaved street in front of low, yellow stucco buildings with tiled roofs, under bright, direct sunlight suggesting midday. Dominant colors are earthy yellows, muted greens, and the stark white and black of the car, contrasted by the dusty brown ground. The camera is positioned at a low angle, capturing the action from ground level with a shallow depth of field that blurs the foreground gravel, emphasizing the tension in the central confrontation."

"ctygd2002, A red vintage car with peeling paint and chrome trim is parked outdoors, its rear passenger window revealing blurred figures inside — one standing and another seated — while reflections of a building and bright daylight dance across the glass. The scene is bathed in harsh, direct sunlight, suggesting midday, with the car’s glossy red surface contrasting against the muted tones of the background and the dark interior. The camera is tightly framed on the car’s rear quarter, angled slightly upward, emphasizing the vehicle’s weathered condition and the hazy, voyeuristic quality of the window’s reflection."

"ctygd2002, A lifeless figure lies face-down in tall grass, their head and upper torso partially obscured by shadows, with visible wounds and dirt smeared across their skin. The scene is set at night or in deep shadow, illuminated by a narrow, warm light source that highlights the texture of the grass and the grim details of the body. Dominated by dark browns, muted greens, and stark blacks, the composition uses a low-angle close-up to emphasize the stillness and decay, creating an intimate yet unsettling perspective."

"ctygd2002, A close-up captures two individuals in an intimate, tender moment, with one person leaning in close to the other’s ear, suggesting a whispered secret or comforting word. The setting appears to be outdoors, likely near a sandy or earthy surface, with soft, blurred background elements hinting at a natural, open environment. Warm, golden light bathes the scene, indicating late afternoon or early evening, casting gentle highlights on skin and hair while creating soft shadows. Dominant colors are rich earth tones—deep browns, warm oranges, and muted golds—enhancing the emotional warmth. The camera frames the subjects tightly from a side profile angle, focusing on their proximity and the subtle expressions of closeness and vulnerability."

"ctygd2002, A lone figure walks down a narrow, wet street at night, casting a long shadow under the glow of a single streetlamp, while a group of people stands motionless on the right side, watching. The setting is a modest urban alleyway lined with simple, weathered buildings, some with barred windows, and a parked car is visible in the background. The lighting is dim and cool-toned, dominated by deep blues and blacks, creating a tense, suspenseful atmosphere. The camera is positioned at a low angle, capturing the scene from the street level, emphasizing the isolation of the walker and the looming presence of the crowd."

"ctygd2002, A group of children are playing and moving energetically through a narrow alleyway between closely packed, makeshift homes with corrugated metal roofs. The setting is a densely built urban neighborhood, with tangled overhead wires, weathered walls, and scattered debris visible, suggesting a lived-in, resourceful environment. Bright, direct sunlight casts sharp shadows, indicating midday, and the dominant colors are muted grays and browns of the metal and concrete, contrasted with the vibrant clothing of the children. The camera is positioned high above, looking down at a steep angle, emphasizing the cramped, layered layout of the settlement and the dynamic movement of the children within it."

"ctygd2002, A vintage red car sits parked in the center of a dimly lit, narrow underground parking garage, its headlights casting a focused glow on the cracked concrete floor. The space is flanked by rows of closed, beige roll-up garage doors and illuminated red exit signs, with a distant “SAÍDA” sign marking the exit ahead. The lighting is sparse and moody, with warm artificial glows from overhead fixtures contrasting against deep shadows, suggesting late night or early morning. Dominant colors are muted browns, grays, and the striking red of the car, framed from a low, centered perspective that emphasizes the depth and confinement of the corridor."

"ctygd2002, A lone figure walks away from a brightly lit roadside eatery at night, their silhouette cast long by the warm glow of hanging bulbs and interior lights. The setting is a rural or semi-rural area with simple, low-rise buildings in the background, a parked car near the eatery, and a wooden railing separating the dining area from the dirt road. The scene is dominated by deep shadows and a narrow band of golden-yellow illumination, creating high contrast between the lit foreground and the enveloping darkness. The camera is positioned at a low, wide angle, capturing the vast, empty expanse of the road leading toward the glowing structure, emphasizing isolation and quietude."

"ctygd2002, A person in a light-colored shirt and dark pants walks through tall grass at night, holding a flashlight that illuminates their path and casts a narrow beam on the surrounding vegetation. Behind them, a simple wire fence with wooden posts stretches into the darkness, while the rest of the scene is enveloped in deep blackness. The dominant colors are muted greens and blacks, with the flashlight’s glow creating sharp contrast against the night. The camera is positioned at a low angle, capturing the subject from the side as they move forward, emphasizing the isolation and quiet tension of the nighttime setting."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.