Updated: Oct 3, 2026
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fp16 SafeTensor
underworld-2003.safetensors
Half precision, best balance • 218 MB
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Underworld 2003
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word undrwrld2003 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"undrwrld2003, A lone, hooded figure stands in a dimly lit, ancient stone hall, casting a long, distorted shadow across the floor as they appear to pause or turn toward the viewer. The setting features arched doorways, ornate circular carvings on the walls, and a raised platform with a simple stone chair, suggesting a ceremonial or sacred space. The lighting is cold and blue-toned, with deep shadows dominating the scene, indicating either nighttime or an interior devoid of natural light. The dominant colors are shades of dark blue, gray, and black, enhancing the somber, mysterious atmosphere. The camera is positioned low to the ground, looking up slightly, which emphasizes the figure’s silhouette and the imposing architecture surrounding them."
"undrwrld2003, A lone figure in dark clothing is captured mid-motion, forcefully pushing against a heavy, ornate wrought-iron gate, suggesting urgency or escape. The setting is a dimly lit, stone-walled courtyard or entranceway, framed by weathered pillars and a decorative metal fence with pointed finials, hinting at an institutional or historic location. The scene is bathed in cool, blue-toned artificial light, casting deep shadows and indicating nighttime or a heavily overcast, gloomy atmosphere. The dominant colors are shades of deep blue and black, with the metallic gate catching faint glimmers. The camera is positioned at eye level, capturing the full height of the gate and the figure’s strained posture, emphasizing the scale of the barrier and the intensity of the action."
"undrwrld2003, A lone figure in dark clothing is seen descending a spiraling, ornate staircase, their posture suggesting cautious movement. The setting is a dimly lit, decaying interior with checkered flooring at the landing, cluttered with debris and broken furniture, framed by intricate wrought-iron railings. The lighting is cold and blue-toned, casting deep shadows and emphasizing the gloom of what appears to be nighttime or a poorly lit underground space. Dominant colors are shades of deep blue, gray, and black, enhancing the atmosphere of isolation and decay. The camera is positioned high above, looking down at a steep diagonal angle, emphasizing the depth and confinement of the staircase."
"undrwrld2003, A woman with dark, damp hair partially obscures her face as she stares intently off-camera, her expression tense and alert. The scene is set in a dim, shadowy environment, with only faint light illuminating her features, suggesting a nighttime or enclosed, low-lit space. Cool blue and gray tones dominate the palette, with a streak of red—likely blood—visible near her temple, adding to the grim atmosphere. The camera frames her in a tight close-up, angled slightly from the side, emphasizing her focused gaze and the emotional weight of the moment."
"undrwrld2003, A collection of laboratory glassware and containers rests on a metal countertop, including a round-bottom flask with a side arm, small reagent bottles, and a dark amber bottle labeled “duplica.” The setting is a dimly lit, sterile lab environment with a cool blue-gray tone dominating the scene, suggesting nighttime or an artificially lit interior. The camera is positioned at a low angle, capturing the objects in sharp focus while the background fades into shadow, emphasizing the clinical and isolated atmosphere."
"undrwrld2003, A lone, shadowed figure walks down a long, narrow hallway, their silhouette stark against the dimly lit corridor. The walls are paneled with dark wood wainscoting and light-colored upper walls, lined with evenly spaced doors, while a fire extinguisher and a red sign are visible in the distance. The lighting is sparse and cool, emanating from ceiling fixtures that cast a bluish-gray glow, suggesting an interior scene at night or in low-light conditions. The dominant colors are deep blacks, muted grays, and dark browns, creating a somber, suspenseful mood. The camera is positioned low and centered, looking down the length of the hallway, emphasizing the figure’s isolation and the corridor’s oppressive depth."
"undrwrld2003, A person with long, dark hair sits slumped against a metal cabinet in a dim, industrial-looking room filled with lab equipment and glass bottles. The space is cluttered with shelves, chains, and various containers, suggesting a makeshift or abandoned laboratory. The lighting is cold and blue-toned, casting deep shadows and creating a somber, late-night or isolated atmosphere. Dominant colors are dark grays, blacks, and metallic silver, with faint glints of amber from the bottles. The camera is positioned low and close to a metal cart in the foreground, framing the scene through its bars and focusing shallowly on the person in the background."
"undrwrld2003, A figure lies motionless on a rough, rocky surface, partially obscured by darkness, with vivid crimson blood pooling and splattering across their torso and the surrounding terrain. The scene is set in a dim, cavernous or forested hollow, with jagged stone textures visible on either side, suggesting isolation and decay. Lighting is minimal and directional, casting deep shadows while highlighting the glistening, wet sheen of blood against the muted grays and browns of the environment. The camera is positioned at a low, close angle, emphasizing the visceral horror and the raw, unfiltered brutality of the moment, with the dominant colors being stark red against desaturated earth tones."
"undrwrld2003, A solitary figure in a dark coat is captured mid-motion, leaning forward as if rushing or dodging through the aisle of a vintage subway car. The interior is lined with teal-painted walls, glass windows, and overhead fluorescent lights casting a cool, dim glow, suggesting late evening or night. The camera is positioned low and angled upward, emphasizing the length of the car and the figure’s movement against the repeating pattern of lights and posters. Dominant colors are muted teal, gray, and black, with the bright white of the lights creating stark contrast."
"undrwrld2003, A close-up of a digital display screen showing a name and address label, with bold black text on a pale blue background. The screen lists “MICHAEL CORVIN” under “Name,” followed by “Apartment 510,” “Block 3B,” and “Laktos Joszef 39 ut.” beneath “Address.” The lighting is cool and artificial, casting a bluish tint over the screen, suggesting an indoor, possibly nighttime or low-light environment. The camera is tightly framed, focusing on the upper portion of the screen, with a slight angle that emphasizes the text’s clarity and the screen’s digital texture."
"undrwrld2003, A muscular, shirtless figure is bent forward at the waist, submerging their head into murky water while their back and arms are exposed, glistening with wetness. The setting is a dim, confined space with rough, damp concrete walls and a shallow, reflective water surface that mirrors faint light sources along the edge. The lighting is low and cool-toned, casting deep shadows and emphasizing the wet sheen on skin and surroundings, suggesting a nighttime or underground environment. Dominant colors are dark grays, blacks, and muted blues, creating a somber, gritty atmosphere. The camera is positioned at a low angle, capturing the figure from behind and slightly above, enhancing the sense of vulnerability and immersion in the water."
"undrwrld2003, A massive steam locomotive dominates the foreground, its front-mounted headlight glowing brightly as thick plumes of steam billow from its smokestack and around its mechanical components. The setting is a vast, dimly lit train station with high arched ceilings, exposed metal trusses, and rows of hanging lamps casting a hazy, atmospheric glow; the scene suggests late evening or night. The dominant colors are deep, muted grays and blacks, punctuated by the stark white of the headlight and the warm yellow of the ambient station lights. The camera is positioned low and close to the locomotive, angled upward to emphasize its imposing scale and industrial detail against the looming architecture."
"undrwrld2003, two figures in dark, glossy leather uniforms stand inside a vintage train car, one gesturing forward while the other stands alert beside them. The setting features ornate wooden paneling, red upholstered seating, and a small table with a glowing pink lamp and metallic objects, all under the glow of three exposed ceiling lights. The scene is dimly lit with cool blue and deep red tones, suggesting nighttime or a gloomy interior. The camera is positioned at a low angle, capturing the figures from the waist up and emphasizing the confined, atmospheric space."
"undrwrld2003, A person with long, dark, wet hair is hunched over, their face obscured as they rest their head on their arms, which are draped over the back of a glossy black chair. The setting is dimly lit, with cool blue tones dominating the scene, suggesting a nighttime or artificially lit interior space. The lighting casts sharp highlights on the chair’s smooth surface while plunging the rest of the frame into deep shadow, emphasizing isolation and introspection. The camera frames the subject tightly from a slightly elevated angle, focusing on the upper body and the chair, enhancing the sense of confinement and emotional weight."
"undrwrld2003, A blood-splattered, weathered face is captured in profile, the individual’s expression tense and grim, with visible wounds and dried streaks of crimson across their cheek and neck, suggesting recent violence. They are clad in a dark, glossy leather jacket, and the background is a shadowy, indistinct environment with muted blues and grays, hinting at a dim, possibly underground or nighttime location. The lighting is low and directional, casting sharp highlights on the skin and fabric while plunging the surroundings into deep shadow, emphasizing the gritty, somber mood. The camera frames the subject tightly from the side, focusing on the upper torso and head, creating an intimate and intense close-up that draws attention to the physical trauma and emotional weight."
"undrwrld2003, A figure clad in dark, wet leather boots with metal buckles stands partially submerged in shallow, murky water, their legs angled as if poised for movement. A long, blood-stained blade glints in the dim light, held at an angle just above the water’s surface. The scene is set in a cold, damp environment with blurred stone or concrete walls in the background, suggesting an abandoned or underground location. The lighting is low and moody, casting deep shadows and emphasizing the blue-gray and black tones of the water, boots, and surroundings. The camera is tightly framed at a low angle, focusing on the boots and blade to create a sense of tension and immediacy."
"undrwrld2003, A figure in dark, form-fitting attire is crouched beside a large, ornate pedestal, their hand resting on its side as if examining or preparing to interact with it. The pedestal features intricate Celtic-style knotwork and a prominent stylized symbol at its center, set against a floor of geometrically patterned tiles in shades of blue and gray. The scene is dimly lit with a cool, bluish tone, casting deep shadows and emphasizing the mysterious, enclosed atmosphere, suggesting an interior space at night or in low-light conditions. The camera is positioned overhead at a high angle, looking down on the figure and the pedestal, creating a sense of isolation and focus on the interaction between the person and the object."
"undrwrld2003, A group of armed individuals in long, dark coats stand in a grand, ornate hall, some facing each other in tense confrontation while others are positioned near doorways or gathered around a central structure. The setting is a spacious, classical interior with high ceilings, decorative moldings, and arched doorways, contrasted by modern, industrial-looking equipment and bright fluorescent lights on the left. The lighting is dim and cool-toned, casting deep shadows and emphasizing the blue and gray hues that dominate the scene, suggesting a late-night or artificially lit environment. The camera captures the scene from a wide, slightly low angle, emphasizing the scale of the room and the imposing presence of the figures within it."
"undrwrld2003, A hand holds a glass dropper, carefully releasing a single drop of red liquid onto a small, white gauze pad resting on a metallic surface. The setting appears to be a sterile, dimly lit laboratory or medical workspace, with surgical tools and glass slides visible in the background. Cool, blue-toned lighting casts sharp shadows, suggesting an indoor environment under artificial illumination, likely during nighttime or in a controlled, low-light facility. The dominant colors are muted blues and grays, punctuated by the vivid red of the liquid drop. The camera is tightly framed, angled slightly downward to focus on the precise moment of the drop falling, emphasizing the clinical and meticulous nature of the action."
"undrwrld2003, A woman with short, dark hair is captured in a close-up, her face partially obscured by strands of hair as she stares intently forward, her expression tense and alert. The setting is dim and atmospheric, with a hazy, smoky background that suggests an enclosed, possibly underground or industrial space. The lighting is cool and blue-toned, casting deep shadows and highlighting her features with a stark, cinematic quality, implying nighttime or a low-light environment. The frame is tightly cropped around her face and shoulders, emphasizing her focused gaze and creating an intimate, suspenseful mood."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.



