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Little Miss Sunshine 2006 Movie Lora Style

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Updated: Oct 9, 2026

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little-miss-sunshine-2006.safetensors

Half precision, best balance • 218 MB

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Type
LoRA
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1

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Published

Oct 9, 2026

Base Model

Krea 2

Training
Steps: 2,000
Epochs: 3
Usage Tips
Strength: 1
Hash
AutoV2
4A68DDDE28
Trigger Words
lttlmsssns2006
default creator card background decoration
Followers - 546

546

Likes - 4487

4.5K

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Little Miss Sunshine 2006

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word lttlmsssns2006 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"lttlmsssns2006, A man in a white shirt and pants is pushing the rear of a vintage yellow and white van while a woman in a green top and floral skirt is pulling herself out of the open side door, both appearing to be urgently moving the vehicle. The scene takes place in a sunlit parking lot with palm trees and other cars visible in the background, suggesting a warm, daytime setting. The dominant colors are the bright yellow of the van, the white of the man’s outfit and van roof, and the green of the woman’s top, contrasted by the deep shadows cast by the strong overhead sun. The camera captures the action from a side angle, emphasizing the motion and effort of the individuals as they interact with the van."

"lttlmsssns2006, A multi-story hotel building with a curved facade and numerous balconies stands prominently under an overcast sky, its sign reading “REDONDO SUITES.” Palm trees and lush greenery frame the structure, while a few people are visible on a nearby pedestrian bridge in the foreground. The lighting is soft and diffused, suggesting a cloudy day, with muted tones of beige, gray, and green dominating the scene. The camera is positioned at a low angle, looking up toward the building, emphasizing its height and architectural lines."

"lttlmsssns2006, three figures stand at the open doorway of a garage, gazing out at a sunlit desert highway. The person on the left wears a long dark coat, while the middle figure in a patterned shirt and shorts has hands on hips, and the third, in a light sweater and red pants, stretches their arms overhead. Inside the garage, tools hang on pegboard walls and a disassembled engine rests on a red stand. Bright, direct sunlight bathes the scene, casting strong shadows and highlighting the dusty, arid landscape beyond. The palette is dominated by earthy browns, faded grays, and the vibrant red of the pants, contrasted against the pale blue sky. The camera frames the trio from behind, centered in the doorway, creating a sense of anticipation as they look"

"lttlmsssns2006, A man in a maroon shirt and khaki pants is jogging toward the camera across a paved parking lot, while in the foreground, a group of three people — two in white shirts and one in a green top — are moving briskly away from the viewer, their motion slightly blurred. Behind them, several dark vehicles, including a black SUV and a sedan, are parked near a low white wall with palm trees visible in the background. The scene is bathed in bright, direct sunlight, casting sharp shadows and indicating midday. Dominant colors include the earthy tones of the man’s clothing, the green of the woman’s top, and the stark white of the shirts and wall, contrasted against the dark vehicles. The camera is positioned at a low angle, capturing the action from behind"

"lttlmsssns2006, A man in a dark coat and jeans walks across a paved highway, his path intersecting with a yellow and white vintage van that is driving away from the camera. The setting is a desolate roadside with dry, scrubby terrain, utility poles, and distant snow-capped mountains under a clear blue sky. Bright, direct sunlight suggests midday, casting sharp shadows and highlighting the dusty earth and faded road signs. The dominant colors are the yellow of the van, the muted browns and grays of the landscape, and the deep blue of the sky. The camera is positioned at a low, wide angle, capturing the man’s movement across the frame while emphasizing the vastness of the open road and the looming mountain range in the background."

"lttlmsssns2006, A person with dark hair is seen from behind, gazing upward at an open window of a white-painted building, where a white garment hangs inside and a blue pot rests on a shelf. Lush green foliage partially obscures the lower left of the frame, contrasting with the stark white wall and window frame. The scene is lit by soft, diffused daylight, suggesting an overcast afternoon or early evening. Dominant colors are white, green, and muted blue, with the camera positioned at a low angle to emphasize the upward gaze and the window’s vertical lines."

"lttlmsssns2006, two women walk purposefully down a polished hallway, flanked by festive decorations including clusters of pink, white, and gold balloons and a prominent sign directing to the “Little Miss Sunshine Pageant” on the 2nd floor. The setting is a bright, modern interior space with large potted plants, a decorative blue ceramic vase, and a staircase in the background, suggesting a public or institutional venue. Warm, even lighting illuminates the scene, indicating daytime, while the dominant colors are earthy neutrals punctuated by the vibrant pastels of the balloons and the red lettering on the sign. The camera captures a medium shot from a slightly low angle, following the women’s movement down the corridor, creating a sense of forward motion and anticipation."

"lttlmsssns2006, three individuals stand on a glossy dance floor, facing an audience seated at tables adorned with white tablecloths and string lights along the edges. The setting is a large, dimly lit ballroom with ornate walls, decorative trees, and professional stage lighting equipment visible on the right, suggesting a formal event or performance. Warm, ambient lighting from overhead fixtures and the string lights casts a soft glow, contrasting with the cool reflections on the dark floor, while the dominant colors are muted earth tones punctuated by the green top and floral skirt of the central figure. The camera is positioned behind the subjects, capturing them from the waist up as they face forward, creating an immersive perspective that draws attention to the audience and the stage’s edge."

"lttlmsssns2006, three individuals stand in the open doorway of a garage, engaged in conversation under bright, direct sunlight that suggests midday. The setting is a desert-like environment visible beyond the open garage bay, with sparse vegetation and a wide, empty road stretching into the distance. Inside the garage, tools hang on a pegboard wall, and a disassembled engine rests on a red workbench to the right. The dominant colors are the warm beige and red of the clothing, contrasted with the cool blue of the sky and the muted grays and browns of the garage interior. The camera is positioned at eye level, capturing the scene in a medium-wide shot that frames the figures against the expansive outdoor backdrop."

"lttlmsssns2006, A man in a crisp white shirt and matching trousers stands in a narrow, warmly lit hallway, his body angled slightly as he looks off to the side with a thoughtful or alert expression. The corridor is lined with wooden doors and walls, with a framed picture hanging on one wall and a wall-mounted light fixture casting a soft glow. The lighting suggests late afternoon or early evening, with warm tones dominating the scene and creating soft shadows that enhance the intimate, enclosed atmosphere. The camera frames him from a medium distance, slightly off-center, capturing the depth of the hallway and emphasizing his solitary presence within the space."

"lttlmsssns2006, three men are gathered at a partially open white door, with one reaching out to hold the door steady as another steps through into a dimly lit room beyond. The hallway wall beside them features a minimalist rectangular metallic frame and a decorative woven wall hanging, while the door’s brass handle and hinge catch the ambient light. The scene is lit with soft, warm indoor lighting, suggesting late afternoon or early evening, casting gentle shadows and highlighting the muted tones of the men’s clothing—light shirts, dark pants, and a rust-colored shirt. The camera is positioned at eye level, capturing the group from behind and slightly to the side, emphasizing their movement and the threshold between spaces."

"lttlmsssns2006, inside a brightly lit convenience store, two men stand at the counter, both reaching toward a shelf stocked with magazines featuring bold, colorful covers. The man on the left, wearing a pink and white striped shirt, extends his arm toward the magazines, while the man on the right, in a blue vest over a white shirt and a black cap, points at one of them. The counter is cluttered with assorted merchandise, including candy boxes, gum, and a cash register, with shelves behind them filled with more products. The scene is illuminated by even, natural-looking light, suggesting midday, and the dominant colors are the pink stripes of the shirt, the blue vest, and the vibrant hues of the magazine covers. The camera is positioned at eye level, capturing the interaction from behind the man in"

"lttlmsssns2006, A solitary figure stands center stage with arms raised, facing a large, ornate circular archway decorated with stars and coin-like medallions, as if presenting or commanding attention. The stage is flanked by tall light rigs with multiple spotlights casting warm, directional beams, while the backdrop is a saturated, glowing magenta, suggesting a theatrical or performance setting under artificial illumination. The floor reflects the lights and colors, enhancing the dramatic ambiance, and the dominant palette is rich with magenta, gold, and white highlights. The camera captures a wide, symmetrical shot from behind the performer, emphasizing the grandeur of the set and the scale of the performance space."

"lttlmsssns2006, in a quiet waiting room, a young girl in a red shirt and pink pants stands engrossed in a magazine, while a man in a white shirt and pants sits pensively with his hand on his chin, and a woman in a green tank top sits beside him, looking down with a subdued expression. A tall potted palm stands behind them, and a wall-mounted rack holds brochures, including one titled “What Color Do You See?” The scene is lit by soft, diffused daylight, casting gentle shadows on the pale walls and wooden trim. Dominant colors are muted whites, greens, and the pop of red from the girl’s shirt, framed in a medium shot that captures the quiet tension and stillness of the moment."

"lttlmsssns2006, inside a white van, a man in a black vest over a graphic tee sits upright, looking toward another man who is bent over, rummaging through a dark bag on the seat. The second man, wearing a light pink button-up shirt, leans forward with focused attention, his hand reaching into the bag. Through the open side door and windows, a suburban street with storefronts and parked cars is visible under bright, natural daylight. The interior is dominated by neutral tones—white van walls, gray fabric seats—with the pink shirt and black vest providing contrast. The camera is positioned at eye level from the side, capturing the interaction through the open door, creating a candid, immersive perspective."

"lttlmsssns2006, two individuals, seen from behind, are walking through a narrow hallway toward a closed door; the person on the left has their arm around the other’s shoulder. The walls are painted a pale, off-white, with visible paneling and brass hinges on the doors, suggesting a formal or institutional interior. The lighting is soft and diffused, casting gentle shadows and indicating an overcast day or interior illumination without direct sunlight. Dominant colors are neutral whites and creams, accented by the dark hair of the figures and a small red band on the wrist of the person on the right. The camera is positioned at eye level, capturing a medium shot that emphasizes the movement forward and the confined space of the corridor."

"lttlmsssns2006, A person in a red and white striped short-sleeved shirt stands with their back to the camera, facing a large window with vertical blinds, appearing to be organizing or interacting with items on a counter. The setting is a clinical or medical office, evidenced by boxes labeled “Angio-Set” and “Cotton-tipped Applicators,” along with medical equipment like a transparent container holding a blue “PolyHesKw” product and tangled wires on the counter. Natural daylight filters through the blinds, casting soft vertical shadows and illuminating the scene evenly, suggesting midday. The dominant colors are muted reds, whites, and grays, with the greenery visible outside adding a touch of nature. The camera is positioned at eye level, capturing a medium shot that emphasizes the subject"

"lttlmsssns2006, five young girls in colorful swimsuits and headpieces walk confidently across a stage, their poses suggesting a performance or pageant. Behind them, a large, ornate archway decorated with stars and lights frames the scene, flanked by oversized coin props on either side. The stage is bathed in warm, radiant lighting that casts a gradient of pink and orange across the backdrop, suggesting an evening or theatrical setting. Dominant hues are vibrant pinks, oranges, and bright swimsuit colors like red, green, and floral patterns. The camera captures them from a frontal, eye-level angle, emphasizing their movement and the theatrical spectacle of the stage."

"lttlmsssns2006, A vintage yellow and white Volkswagen Type 2 van is captured mid-turn on a curved asphalt road, its wheels angled as it navigates the bend. The surrounding setting features a lush green hedge lining the roadside, a flowering bush in the foreground, and a distant view of residential rooftops under an overcast sky. The lighting is soft and diffused, suggesting a cloudy day, with muted tones dominating the scene except for the bright yellow of the van. The camera is positioned at a low, slightly angled perspective, emphasizing the van’s movement and the curve of the road ahead."

Training

  • Base model: Krea 2 (trained on Raw)
  • Type: Style LoRA
  • Dataset: 277 images
  • Steps: 2000
  • Network rank / alpha: 32 / 32
  • Learning rate: 0.0002
  • Optimizer: adamw8bit
  • Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

  • Raw: ~30 steps, guidance 3.5
  • Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.