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Spider Man 3 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word spdrmn32007 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"spdrmn32007, A lone, thick steel beam stretches horizontally across the frame, suspended by a black rope and hook, framing a sprawling urban skyline viewed from a high vantage point. Below, a dense cluster of skyscrapers with varied architectural styles—some with vertical ribbing, others with grid-like windows—rise under a hazy, overcast sky, suggesting a late afternoon or early evening. The muted palette is dominated by grays, beiges, and soft blues, with the steel beam casting a dark, industrial contrast against the city’s lighter tones. The camera is positioned directly behind the beam, creating a layered, voyeuristic perspective that emphasizes the scale and density of the metropolis while foregrounding the stark, utilitarian structure."

"spdrmn32007, A humanoid figure, entirely covered in fine, light-brown sand, stands upright in a shallow, sandy pit, with sand visibly cascading from its lower body and feet. The setting is a stark, enclosed chamber with heavy, vertically segmented gray concrete walls, suggesting an industrial or utilitarian space. The lighting is directional and dim, casting a long, sharp shadow across the sand and highlighting the texture of the sand clinging to the figure’s form, suggesting late afternoon or early evening. The dominant colors are muted grays and earthy beige, with the sand’s warm tone contrasting against the cold, monolithic walls. The camera is positioned at a low, wide angle, capturing the figure from the front and slightly below, emphasizing its isolation and the scale of the surrounding structure."

"spdrmn32007, A man in a dark suit stands behind a polished wooden podium, gesturing animatedly with one hand while smiling broadly, as if delivering an enthusiastic speech or announcement. Behind him, a large decorative backdrop features the words “Restaurant Constellation” in elegant cursive, surrounded by star motifs and faint celestial illustrations, flanked by vibrant floral arrangements in warm tones. The scene is warmly lit, with soft ambient light from a table lamp on the podium and decorative fixtures, suggesting an evening indoor setting. Dominant colors include deep browns of the wood, rich blues and whites of the backdrop, and bursts of orange and yellow from the flowers. The camera is framed from a slightly off-center perspective, partially obscured by a textured wooden pillar on the right, creating a sense of depth and framing the man as"

"spdrmn32007, A chaotic urban street scene unfolds as a thick plume of dust erupts from a distant explosion, sending debris and overturned vehicles into disarray. The setting is a wide city avenue lined with tall, ornate buildings, American flags, and trees, with yellow taxis and other cars scattered across the road and sidewalks; a “WANTON” sign and a “No Parking” sign are visible on the left. The lighting is bright and diffused, suggesting midday, with the dust cloud casting a hazy, muted tone over the scene. Dominant colors include the gray of stone buildings, the yellow of taxis, the green of trees, and the brownish-gray of the dust. The camera is positioned at street level, capturing the full breadth of the avenue and the unfolding destruction in a"

"spdrmn32007, A figure in a red suit stands on a high rooftop, gazing down at a cityscape where a plume of dust and debris rises from a distant building, suggesting a recent explosion or collapse. The urban environment is dense with skyscrapers, many lit with warm interior lights against the deepening twilight sky, which glows with orange and purple hues near the horizon. The scene is framed from a high vantage point, with the figure’s shoulder and back occupying the right foreground, creating a sense of scale and perspective as the city sprawls below. Dominant colors are dark blues and blacks of the night, contrasted with the amber glow of city lights and the reddish-brown dust cloud."

"spdrmn32007, A young woman with blonde hair tied back and bangs, wearing a pink top, looks toward the left with an open-mouthed expression of surprise or excitement. Beside her, the back of a red suit with a distinct web-like pattern is visible, suggesting a confrontation or interaction. The scene is outdoors, with blurred background elements hinting at a street or urban environment. Warm, natural daylight illuminates the scene, casting soft highlights on her face and the fabric. The dominant colors are red from the suit, pink from her top, and the blonde tones of her hair, contrasted against muted background tones. The camera frames her in a close-up, angled slightly from the side, emphasizing her reaction and the proximity of the other figure."

"spdrmn32007, A dense cluster of high-rise buildings stands silhouetted against a deep twilight sky, their windows glowing with warm interior lights that contrast sharply with the cool, dark blue tones of the night. Bare tree branches in the foreground frame the scene, partially obscuring the lower levels of the buildings and adding texture to the urban landscape. The lighting is moody and atmospheric, with the artificial glow from windows creating pockets of warmth amid the pervasive blue and black shadows. The camera is positioned at a low angle, looking upward through the trees toward the towering structures, emphasizing their height and the quiet, solitary nature of the city at night."

"spdrmn32007, A figure in a textured, dark web-patterned suit strikes a dynamic pose, flexing one arm while gripping a vertical surface with the other, suggesting readiness or power. The backdrop is a sprawling, illuminated cityscape at night, with blurred skyscrapers and glowing windows creating a bokeh effect that emphasizes the foreground subject. The lighting is low-key and atmospheric, with highlights accentuating the suit’s contours and the urban glow casting a cool, ambient tone over the scene. Dominant colors are deep blacks and grays, punctuated by warm yellows and whites from distant city lights. The camera frames the subject in a medium shot from a slightly low angle, enhancing the sense of scale and intensity against the towering skyline."

"spdrmn32007, A solitary figure in a dark suit walks purposefully down a narrow, cluttered alleyway at night, their silhouette illuminated by distant streetlights and the glow of a single overhead lamp. The alley is lined with overflowing dumpsters, stacked crates, and discarded debris, flanked by weathered brick and concrete walls with exposed pipes and fire escapes. The wet pavement reflects the sparse light, casting elongated shadows and enhancing the gritty, moody atmosphere dominated by deep blues, grays, and blacks. The camera is positioned low and close to the ground, looking up slightly as the figure approaches, emphasizing the oppressive scale of the urban environment."

"spdrmn32007, A single, tarnished metal spoon is half-buried in coarse, light-brown sand, its bowl facing upward and handle angled slightly upward, casting a sharp, elongated shadow to the left. The scene is bathed in warm, direct sunlight, suggesting late afternoon, with the sand’s granular texture sharply detailed in the foreground while the background blurs into a soft, out-of-focus expanse. Dominated by earthy beige and muted metallic tones, the composition is a tight, low-angle close-up that emphasizes the spoon’s isolation and the tactile quality of the sand."

"spdrmn32007, A pair of gloved hands, covered in a dark, segmented, web-like pattern, grip the edge of a heavy, rusted metal structure, fingers curled with tension. The setting is industrial, with riveted steel plates and bolts visible beneath the hands, suggesting a mechanical or confined environment. The lighting is dim and warm, casting soft shadows and highlighting the texture of the gloves and metal, implying an interior space during late afternoon or under artificial illumination. Dominant colors are muted browns, grays, and dark metallic tones, with subtle highlights catching on the glove’s ridges. The camera is tightly framed, focusing on the hands and their immediate grip, angled slightly downward to emphasize the weight and pressure of the hold."

"spdrmn32007, A weathered, sand-covered hand emerges from the left, fingers slightly curled as if reaching or grasping, with fine grains clinging to its contours. The setting is a vast, undulating expanse of desert sand under a muted, overcast sky, with a dark, indistinct stone wall or structure visible in the blurred background. The lighting is soft and diffused, casting no harsh shadows, suggesting either early morning or late afternoon. Dominant colors are earthy tones—beige, tan, and gray—creating a desolate, textured atmosphere. The camera is positioned at a low angle, emphasizing the hand’s isolation against the expansive, grainy sand."

"spdrmn32007, A woman with long, wavy hair, wearing a white blouse and dark pants, is captured mid-motion as she grips a railing while moving through a narrow, industrial corridor. The setting is a metallic walkway or scaffolding structure, lined with vertical beams and horizontal rails, with glimpses of dimly lit windows or panels in the background. Warm, directional lighting casts golden highlights on the metal and her figure, suggesting late afternoon or early evening. The dominant colors are muted metallic grays and browns, contrasted by the bright white of her shirt and the warm glow of the light. The camera is positioned at a low angle, slightly tilted, emphasizing the height and precariousness of the walkway, with motion blur conveying urgency or movement."

"spdrmn32007, A wooden crucifixion figure is centered against a shimmering golden mosaic backdrop, arms outstretched on a cross, casting a distinct shadow. The scene is framed by ornate, dark metalwork with intricate geometric and floral patterns on either side, flanked by white stone architecture and a distant domed structure. The lighting is dramatic and directional, illuminating the figure and mosaic while leaving the periphery in deep shadow, suggesting late afternoon or early evening. Dominant colors are warm golds and browns contrasted with cool, muted grays and whites, captured from a low-angle perspective that emphasizes the verticality and solemnity of the composition."

"spdrmn32007, A person with long, wavy reddish-brown hair, seen from behind, stands near a glass door, their silhouette partially illuminated by ambient light. Through the doorway, the dark interior of a building reveals faint silhouettes of other figures, while the exterior reflects a dimly lit urban street at night. The scene is bathed in warm, low-key lighting with deep purples and oranges dominating the palette, casting long shadows across textured walls. The camera is positioned at a low angle, framing the subject’s shoulder and the reflective glass door, creating a sense of depth and mystery."

"spdrmn32007, A close-up shot captures a digital contact list scrolling on a handheld device, with one name highlighted in a dark bar. The screen’s pixelated texture and slight glare suggest an older or rugged electronic device, framed by a metallic casing with visible wear. The lighting is cool and diffused, casting a bluish tint over the display, while warm reflections along the edges hint at ambient light from an outdoor or well-lit indoor setting. Dominant colors are muted blues and grays, punctuated by the dark highlight bar and faint rainbow reflections along the device’s frame. The camera is angled slightly from the side, emphasizing the screen’s depth and the tactile quality of the device’s casing."

"spdrmn32007, A figure hangs suspended in mid-air above a city street, arms raised as if gripping an unseen point, surrounded by traffic including a yellow taxi and parked cars. The scene unfolds at night in a narrow urban canyon, flanked by tall buildings with illuminated windows and storefronts, one displaying a glowing “80” sign. The lighting is dim and atmospheric, dominated by the cool blues and grays of the night, punctuated by the warm yellow glow of vehicle headlights and street lamps. The camera is positioned low and centered, capturing the figure’s silhouette against the street’s white crosswalk markings, with motion blur on passing cars emphasizing the stillness of the central subject."

"spdrmn32007, A man in a dark jacket stands on a city street at night, holding a handgun with a focused, alert expression, positioned near a row of yellow taxis. Behind him, a Burger King sign glows brightly, and the street is lined with parked cars under the ambient glow of streetlights and neon, casting sharp shadows. The scene is dominated by deep blues and yellows from the artificial lighting, with the taxis’ bright yellow contrasting against the dark pavement and buildings. The camera frames the man in a medium shot, slightly angled to emphasize his stance and the urban environment around him."

"spdrmn32007, A man with graying hair and a weathered face sits hunched on a concrete sidewalk, his gaze fixed upward with a somber, intense expression. He wears a worn, dark jacket, and the ground around him is marked by faint cracks and scattered debris. The scene is lit by a single, harsh light source from above, casting deep shadows across his face and the pavement, suggesting a late-night urban setting. The monochrome palette emphasizes stark contrasts, and the high-angle shot isolates him against the expansive, textured ground, amplifying a sense of solitude and vulnerability."

"spdrmn32007, A hand, covered in coarse, light-brown sand and gravel, is pressed into the earth, fingers slightly curled as if gripping or digging. The setting is an arid, dusty terrain, with the ground blurred in the background to emphasize the tactile texture of the sand clinging to the hand. Warm, golden sunlight casts sharp, defined shadows across the hand’s contours, suggesting late afternoon. The dominant colors are earthy tones—beiges, tans, and muted browns—with the dark shadow of the hand creating contrast. The camera is positioned at a close, slightly elevated angle, focusing tightly on the hand and the gritty material it holds, creating an intimate, textured composition."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.