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American Horror Story Season 4

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word amrcnhrrrs4 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"amrcnhrrrs4, A circus encampment is set up on a grassy field beside a calm river at dusk, with a large red-and-white striped big top tent, a partially assembled Ferris wheel adorned with string lights, and several smaller tents and booths scattered across the area. The scene is illuminated by warm, glowing string lights strung between structures and glowing signs, casting a golden hue against the softening twilight sky. The dominant colors are earthy greens and browns of the landscape, contrasted with the vibrant reds and whites of the circus tents and the deep blues of the river and fading sky. The camera is positioned high above, offering a wide, sweeping aerial view that captures the layout of the camp and the tranquil water beyond."

"amrcnhrrrs4, A stylized, vintage-looking file folder rests on a wooden surface, featuring a bold title in distressed black lettering, a red circular stamp reading “CERTIFIED” with “USA” beneath, and a Polaroid-style photo of a man in a suit holding a cocktail. The folder’s beige paper has faint grid lines and placeholder text, suggesting a classified or official document, while the lighting is even and bright, indicating an indoor, daytime setting. The dominant colors are warm browns, cream, and red, with the black text providing strong contrast. The camera is angled slightly from above, offering a clear, close-up view of the folder’s contents."

"amrcnhrrrs4, A person lies still on their back, head resting on a white pillow, eyes closed in sleep or rest, with a plaid shirt partially visible around their neck. The setting is dimly lit, suggesting nighttime or a low-light indoor environment, with shadows pooling around the edges of the frame. The dominant colors are muted—soft whites from the pillow, dark tones from the bedding and background, and subtle skin tones under the subdued lighting. The camera is positioned at a close, slightly elevated angle, focusing tightly on the person’s face and upper torso, creating an intimate and quiet atmosphere."

"amrcnhrrrs4, A person in a worn, earth-toned jacket stands inside a dilapidated, abandoned vehicle, gazing toward the rear. The interior is cluttered with rusted metal, tangled wires, and a makeshift mechanical contraption on a wooden table, while broken windows covered in chicken wire let in dappled sunlight filtering through dense foliage outside. The scene is bathed in soft, natural light that highlights dust motes and decay, casting long shadows across the grimy floor and peeling green walls. The dominant colors are muted browns, faded greens, and grays, with occasional red accents from tools or wires. The camera is positioned at a medium distance, slightly angled to capture both the figure and the cluttered, overgrown interior, emphasizing the sense of isolation and abandonment."

"amrcnhrrrs4, A woman with a red patterned headscarf and a man with extensive tattoos on his neck and arms sit side by side under a canvas awning, both gazing upward with expressions of concern or contemplation. The setting appears to be a rustic outdoor shelter, with blurred tables and chairs in the background and greenery visible through the open sides. The lighting is soft and diffused, suggesting late afternoon or early evening, casting warm, earthy tones across the scene. Dominant colors include muted browns, deep purples, and the vibrant red of the headscarf, contrasted against the neutral beige of the canopy. The camera is positioned at eye level, capturing a medium close-up that emphasizes their facial expressions and the intimate, tense atmosphere."

"amrcnhrrrs4, A man in a beige shirt and blue jeans is gripping a wooden pole while standing inside a deep, rectangular excavation framed by wooden beams and surrounded by loose dirt. He is viewed from above, with the camera positioned at the top of the trench, looking down, while the foreground includes the shoulders and backs of two other people—one wearing a straw hat and patterned clothing, the other in a green vest—suggesting they are observing or assisting. The setting is outdoors, flanked by brick walls, under natural daylight that casts soft shadows, indicating midday. The dominant colors are earthy browns and reds from the soil and bricks, contrasted with the muted beige of the man’s shirt and the green vest. The framing is tight and overhead, emphasizing the depth of the hole and the"

"amrcnhrrrs4, A figure in a striped, polka-dotted costume with two unsettling, grinning masks stands centered within a large, circular metal structure adorned with glowing bulbs. The setting appears industrial or mechanical, with rusted metal surfaces and warm, ambient lighting emanating from behind the figure, suggesting an interior space at night. The dominant colors are dark metallic grays, warm yellows from the lights, and muted browns, creating a moody, eerie atmosphere. The camera is framed from a frontal, symmetrical angle, emphasizing the circular composition and the figure’s central, haunting presence."

"amrcnhrrrs4, A cluster of mature, gnarled trees with thick, textured trunks and dense, leafy canopies arches overhead, their branches intertwining to form a natural canopy. The setting appears to be a quiet, shaded grove or park, with glimpses of a pale sky visible through the foliage and the faint outline of a distant building peeking through the leaves. Soft, diffused light filters through the canopy, suggesting late afternoon or early evening, casting gentle shadows and highlighting the earthy browns of the bark and the deep greens of the leaves. The camera is positioned low, looking upward, emphasizing the towering height and organic complexity of the trees, creating an immersive, canopy-level perspective."

"amrcnhrrrs4, A lively traveling carnival camp is set up on a grassy field beside a calm river, with people moving about among tents, vintage cars, and a large red-and-white striped big top. A Ferris wheel stands in the background, while a white camper trailer and various canvas tents dot the landscape, some emitting smoke, suggesting active cooking or heating. The scene is bathed in warm, golden afternoon light, casting long shadows and highlighting the earthy greens of the grass, the deep blues of the water, and the bold reds and whites of the carnival structures. The camera captures the scene from a high, wide-angle perspective, offering a sweeping overview of the bustling, rustic campsite."

"amrcnhrrrs4, A person with long brown hair sits relaxed in a white lattice chair on a porch, legs propped up, wearing a dark sweater and jeans, with muddy boots resting on a striped cushion. Behind them, a large glass door is shattered, its surface cracked and fragmented, contrasting with the intact window beside it. The scene is bathed in warm, golden light, suggesting late afternoon or early evening, with soft shadows cast across the porch and siding. The dominant colors are muted earth tones—browns, grays, and creams—with the white of the chair and trim providing contrast. The camera is positioned at a low angle, capturing the subject from behind and slightly to the side, emphasizing the broken glass and the quiet, contemplative atmosphere."

"amrcnhrrrs4, A weathered, oversized clown head with cracked paint and stitched X’s over its eyes stares forward, its wide, toothy grin unnervingly fixed. The head is suspended against a pitch-black backdrop, punctuated by scattered, distant pinpricks of light resembling stars or stage lights. Dramatic, focused lighting casts deep shadows across its textured surface, highlighting the decay and grotesque details, while the dominant palette is muted beige, dark gray, and stark black. Shot in a tight close-up from a slightly low angle, the framing centers the head, amplifying its looming, unsettling presence."

"amrcnhrrrs4, two women are reclining on a large, ornate bed, each absorbed in reading a book, their heads tilted downward in quiet concentration. The bed is framed by a grand arched doorway draped with rich red velvet curtains edged in gold fringe, and a heavy white quilt with intricate stitching covers the bed. The room is dimly lit by candlelight placed along the base of the bed and soft illumination from wall-mounted chandeliers, suggesting evening or night. Dominant colors include deep reds, creamy whites, and gold accents, creating a warm, opulent atmosphere. The camera is positioned at a medium distance, capturing the scene through the archway, which frames the bed and curtains as a theatrical stage, emphasizing the intimate yet grand setting."

"amrcnhrrrs4, A weathered, doll-like figure with a striped garment and mask-like face lies motionless at the center of a circular, industrial-looking structure, surrounded by glowing bulbs. The setting appears to be a dimly lit, metallic chamber with rusted textures and warm, ambient lighting that casts golden highlights against the dark, gritty background. The dominant colors are muted browns, grays, and warm yellows from the glowing lights, creating a moody, atmospheric tone. The camera is positioned directly in front of the circular frame, offering a symmetrical, centered view that emphasizes the eerie stillness of the central figure."

"amrcnhrrrs4, A weathered, seated figurine with a distressed, painted face and striped shirt rests atop a small wooden crate, its hands raised as if in mid-gesture. The scene is set within a dim, enclosed space framed by vertical poles and draped fabric, with a shadowy, textured floor and faint warm glows in the background suggesting distant light sources. The lighting is low and directional, casting deep shadows and highlighting the figurine’s cracked surface, while the palette is dominated by earthy browns, muted grays, and dark tones. The camera is positioned at a low angle, creating a sense of intimacy and focus on the central object, with the right side of the frame occupied by stylized, fragmented text."

"amrcnhrrrs4, police officers are carefully loading a person onto a stretcher and preparing to transfer them into a white van parked in a narrow brick alleyway. The scene is framed from a low angle, with one officer’s back and uniform dominating the foreground, while two others bend over the stretcher near the van’s open rear door. The alley is flanked by weathered red brick walls, with a barred window and an arched passageway visible in the background, under bright, natural daylight that casts soft shadows. The dominant colors are the blue of the officers’ uniforms, the gray of their pants and the stretcher, and the warm reds and browns of the brickwork, contrasted by the white van and the pale sky beyond the arch."

"amrcnhrrrs4, A man with a full, reddish-brown beard and slicked-back gray hair is captured in a close-up, looking downward with a somber expression, his lips slightly parted as if in thought or distress. He wears a blue pajama top with a floral pattern and white trim, set against a warm-toned wooden interior with a framed picture faintly visible in the background. The lighting is soft and dim, suggesting an indoor evening scene, casting gentle shadows across his face and highlighting the texture of his beard. The frame is tightly cropped around his head and shoulders, emphasizing his emotional state and creating an intimate, contemplative mood."

"amrcnhrrrs4, A figure in a striped, polka-dotted costume with two unsettling, grinning masks stands centered within a large, circular, industrial-looking frame adorned with glowing bulbs. The setting appears to be a dimly lit, metallic chamber with warm, amber-hued lighting filtering through slats in the background, casting dramatic shadows and highlighting the worn textures of the surroundings. The dominant colors are dark grays and browns, punctuated by the bright, warm glow of the bulbs and the stark white of the text overlay. The camera is positioned directly in front of the subject, framed tightly within the circular structure, creating a claustrophobic, focused composition."

"amrcnhrrrs4, in a richly draped, vintage-style room, a man in a light suit holds a candelabra while standing near a woman in dark attire, who appears to be gazing toward a bed in the background. The space is filled with heavy, cascading curtains in warm tones of rose and cream, antique furniture including a curved sofa and ornate chest, and soft, ambient lighting from candles and possibly a hidden source, suggesting evening or night. Dominated by deep reds, creams, and golds, the scene is framed from a medium-wide angle that captures the opulent, intimate atmosphere of the room."

"amrcnhrrrs4, A man with a graying beard and slicked-back hair, wearing a blue floral-patterned shirt, is captured in profile, his gaze directed downward with a contemplative or somber expression. Behind him, a wooden-paneled wall holds a framed poster featuring a large, out-of-focus red question mark. The lighting is dim and warm, casting soft shadows and suggesting an indoor scene during evening or night. The dominant colors are muted blues, browns, and the striking red of the poster, creating a moody atmosphere. The camera is tightly framed on the man’s head and shoulders, emphasizing his facial features and the emotional weight of the moment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.