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Cloverfield 2008

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word clvrfld2008 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"clvrfld2008, A person presses their hands against the glass of a vehicle’s rear window, their face illuminated by a harsh, cool light from behind, suggesting urgency or distress. The scene unfolds at night in an urban environment, with blurred city lights and a red taillight visible above the window, adding to the tense atmosphere. The dominant colors are deep shadows contrasted with stark whites and blues from the backlighting, creating a high-contrast, cinematic mood. The camera is positioned from inside the vehicle, looking back through the window, framing the subject’s silhouette and hands as the central focus."

"clvrfld2008, A figure lies motionless on the floor, partially obscured by darkness, with only the silhouette of their arm and hand visible against a faintly glowing background. The setting appears to be a dimly lit interior space, possibly a room with a window or doorway in the distance, where a soft, greenish light filters through, casting a hazy glow on the wall and floor. The lighting is low and atmospheric, suggesting nighttime or deep shadow, with dominant tones of black, charcoal, and muted teal-green. The camera is positioned low and close to the ground, capturing the scene from a tilted, immersive angle that emphasizes the figure’s vulnerability and the oppressive stillness of the environment."

"clvrfld2008, A group of five people are sprinting away from the camera down a wet urban street at night, their motion blurred to convey urgency. The scene is set under the glow of streetlights and distant vehicle headlights, casting long, sharp shadows across the slick pavement, with buildings and parked cars lining the background. The dominant colors are cool blues and grays, punctuated by the warm yellow of artificial lighting. The camera is positioned low and behind the runners, creating a dynamic, immersive perspective that emphasizes their speed and the chaotic atmosphere."

"clvrfld2008, A large, amorphous cloud of smoke or steam billows across the center of the frame, obscuring much of the scene and suggesting a recent explosion or industrial release. The setting is an industrial or construction zone at night, with dimly lit buildings, metal fencing, and scattered warning lights visible in the background. The lighting is sparse and moody, dominated by deep blacks, muted grays in the smoke, and faint orange glows from distant lights, creating a tense, atmospheric tone. The camera is positioned at a low angle, capturing the smoke’s chaotic movement against the dark backdrop, emphasizing the scale and disorienting nature of the event."

"clvrfld2008, A person in a light-colored shirt stands in a narrow, cluttered hallway, their arms crossed as if in contemplation or tension, while another figure in dark, bulky tactical gear looms nearby, partially obscuring the view. The setting is cramped and dimly lit, with walls lined with hanging gear and cables, suggesting a utilitarian or military space. The lighting casts a cold, teal-blue hue over the scene, creating a tense, nocturnal atmosphere. The camera is positioned at a low angle, tilted slightly, enhancing the sense of confinement and unease, with motion blur adding to the chaotic energy."

"clvrfld2008, A dense crowd of people, seen mostly from behind, gathers in a nighttime urban setting, their silhouettes huddled together as they face a distant, illuminated structure. The scene is framed from within the crowd, looking forward toward a bridge adorned with strings of lights and a single bright spotlight cutting through the darkness above. The dominant colors are deep blacks and dark grays, punctuated by the cool blue-white glow of the spotlight and the warm yellow of distant streetlamps. The camera’s low, immersive angle places the viewer directly among the crowd, emphasizing the scale of the gathering and the atmospheric tension of the night."

"clvrfld2008, A group of people stands in a dimly lit urban street at night, gathered around a massive, broken mechanical structure that dominates the center of the frame. The setting is a ruined cityscape, with debris scattered on the ground and a distant, illuminated skyscraper visible in the background, suggesting a scene of aftermath or disaster. The lighting is low and warm, casting deep shadows and highlighting the orange and brown tones of the scene, while the camera captures the moment from a wide, slightly elevated angle, emphasizing the scale of the wreckage and the smallness of the crowd."

"clvrfld2008, A woman with short, dark, curly hair is seated at a bar, intently focused on her smartphone, her fingers actively scrolling or typing. The bar counter is cluttered with various bottles of alcohol, red plastic cups, and a lit candle, while a graffiti-covered wall in shades of teal and purple forms the backdrop. The lighting is dim and warm, suggesting an evening or nighttime setting inside a lively, casual venue. Dominant colors include deep blacks and browns from the clothing and bar, contrasted with the vibrant graffiti and the glow of the candle. The camera is positioned at a close, slightly over-the-shoulder angle, emphasizing the woman’s engagement with her phone while capturing the bustling, social atmosphere around her."

"clvrfld2008, A lone figure stands silhouetted against a towering, gothic-style structure, their posture suggesting contemplation or vigilance as they gaze toward a distant, illuminated cityscape. The scene unfolds at night, with the deep black of the sky contrasting against scattered, blurred city lights that hint at motion or a long exposure, while faint, ghostly projections or reflections dance across the stone facade. Dominated by dark grays and blacks, the frame is punctuated by warm yellows and cool blues from the ambient glow, creating a moody, cinematic atmosphere. Shot from a low, tilted angle, the camera emphasizes the imposing scale of the architecture and the figure’s isolation, with vertical lines of shadow and structure framing the composition."

"clvrfld2008, A person is seen in silhouette, ascending a narrow staircase, their form partially obscured by motion blur and the dim interior. Behind them, a bright, multi-paned window casts strong backlighting, while the right side of the frame is dominated by a textured, blue-tinted wall or curtain that appears to ripple with movement. The scene is bathed in cool, bluish tones, with the timestamp “MAY 22 6:49PM” visible in the lower-left corner, suggesting late afternoon or early evening. The camera is positioned low and tilted upward, enhancing the sense of ascent and creating a dynamic, immersive perspective."

"clvrfld2008, from a low-angle perspective, the back of a person’s head is visible in the foreground, looking toward the interior of a cluttered convenience store. The space is dimly lit by a single fluorescent tube overhead, casting a cold, greenish hue over shelves stocked with toiletries, a counter with a “Money Orders” sign, an ATM, and scattered debris on the floor. The setting feels abandoned or hastily vacated, with posters, price lists, and a “Se Habla Español” sign adding to the worn, utilitarian atmosphere. Dominant colors are muted grays, blues, and browns, punctuated by the stark white of the ATM and the red of an exit sign. The camera’s tight framing and shallow depth of field emphasize the disarray and isolation within the space"

"clvrfld2008, A blurred crowd of people moves through a dimly lit urban street at night, their forms indistinct and merging into the darkness. In the background, a building is faintly illuminated by a string of white lights, while scattered orange streetlights cast warm glows that pierce the gloom. The dominant colors are deep blacks and muted oranges, with occasional hints of yellow and white from distant artificial sources. The camera is positioned at eye level, capturing the scene from within the crowd, creating an immersive, slightly shaky perspective that emphasizes motion and anonymity."

"clvrfld2008, A lone figure walks past a parked sedan on a dimly lit, smoky urban street at night, with scattered papers littering the pavement. The scene is bathed in a hazy, orange-yellow glow from streetlights and distant windows, casting long shadows and creating a gritty, atmospheric mood. The camera captures the moment from a low, slightly tilted angle, emphasizing the figure’s movement and the cluttered, abandoned feel of the environment."

"clvrfld2008, A dark, motion-blurred street scene at night, where a vehicle with a roof-mounted light is partially visible, suggesting movement through an urban alleyway. The background features dimly lit buildings with windows, some showing faint interior lights, and a large, shadowy structure that appears to be a dumpster or storage unit. The lighting is low and warm, casting amber glows from nearby streetlights or vehicle lights, with deep shadows dominating the frame. The dominant colors are muted browns, blacks, and dark grays, punctuated by the yellow-orange highlights. The camera is handheld and angled slightly upward, capturing the scene with a sense of urgency or haste, emphasizing the blur and motion."

"clvrfld2008, A lone figure walks through a dimly lit, abandoned underground passage, their movement slightly blurred as if captured mid-stride. The setting is a decaying urban underpass with a closed metal roll-down shutter, a faded “No Exit” sign, and a poster of two people on the wall, all contributing to a sense of isolation. The lighting is sparse and artificial, casting stark shadows and giving the scene a cool, greenish-blue tint. The camera is angled low and tilted, creating a disorienting, immersive perspective that emphasizes the confined, gritty environment."

"clvrfld2008, A dark, high-angle aerial view of a city at night, with a lone figure in a cowl moving through a narrow alleyway between towering buildings, illuminated by distant streetlights and building windows. The scene is framed by a Philips monitor displaying a “LIVE” broadcast graphic in the top-left corner, with cluttered equipment and cables visible around the monitor’s base. The lighting is dim and moody, dominated by deep blacks and stark whites from the city lights, creating high contrast. The camera is positioned slightly off-center, angled downward toward the screen, capturing both the monitor’s bezel and the surrounding workspace."

"clvrfld2008, multiple television screens mounted above a cluttered electronics store display contrasting content: one shows a cartoon character, another broadcasts breaking news of a city under attack, and a third reports panic in Manhattan. The store shelves below are packed with boxed merchandise, including DVD players and cameras, under fluorescent lighting that casts a bright, artificial glow over the scene. Red string lights drape along the ceiling edge, adding a pop of color against the predominantly white, gray, and black tones of the store’s interior. The camera is angled upward from below, capturing the TVs and shelves in a tight, immersive frame that emphasizes the chaotic juxtaposition of entertainment and emergency news."

"clvrfld2008, A close-up of a weathered, dark blue leather garment with visible stitching, rivets, and frayed edges, suggesting heavy use or age. The fabric is torn in places, revealing a yellowish inner lining, and a single large, glossy blue button rests near the bottom. The scene is bathed in dim, cool blue lighting, creating deep shadows and an atmosphere of mystery or abandonment. The camera is tightly framed, angled slightly upward, focusing on the texture and wear of the material against a dark, indistinct background."

"clvrfld2008, two silhouetted figures stand in a dim, industrial basement, their forms barely discernible against the cluttered ceiling of exposed pipes and cables. A single fluorescent tube casts a cold, bluish-green glow from the right, illuminating the rough concrete walls and a prominent red pipe running vertically along the left. The scene is framed from a low angle, looking upward, emphasizing the oppressive height and complexity of the overhead infrastructure. Dominant colors are deep shadows, stark yellow from the pipe supports, and the eerie teal-blue of the artificial light, suggesting a late-night or abandoned setting."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.