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Contemporary Oil Painting - Disrupted Realism v1

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37.94 MB

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Type

LoRA

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238

67

363

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Published

Sep 10, 2025

Base Model

Flux.1 D

Hash

AutoV2
35B4A8A108
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MossyToes's Avatar

MossyToes

The FLUX.1 [dev] Model is licensed by Black Forest Labs. Inc. under the FLUX.1 [dev] Non-Commercial License. Copyright Black Forest Labs. Inc.

IN NO EVENT SHALL BLACK FOREST LABS, INC. BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH USE OF THIS MODEL.

Disrupted Realism

This is my first Lora. Criticism and suggestions are welcome.

Lora is trained on my own oil paintings.

Since it is my first time, I didn't aim to train for my entire style but mostly on close-ups of painterly expressive and abstract textures in my works.

I think it came out decent, but experiment has only begun.

Use Flux Krea, the base Flux 1 dev produces very poor results.

TRIGGER WORD: disrupted realism

Weight: 0.5 - 1.5 - the higher weight will push it into a close-up and wilder textures.

Sample images were made with Flux Krea cgf 1 guidance 3.5 20 steps deis/beta

I recommend to mention various painting techniques in your prompt to make it trully show its face. All my images have the prompts and the workflow, you are welcome to borrow them.

A huge Thank You for inspiration and guidance to these beautiful people in no particular order:

Adel_AI

Nixst3r

Aurety

murphylanga


What is Disrupted Realism:

“Disrupted realism is a term that describes works of art made by artists who have deviated from the norms of realism. These deviations, which may involve one or more formal elements – such as line, form, and color – are made intentionally, often through improvisation, to serve expressive purposes. By “disrupting” and expanding the tradition of realism, artists may suggest time, memory, and individual experience or refer to digital, photographic, or cinematic sources. It is a subjective approach to painting that favors perception over seeing and embraces subjectivity.”

– John Seed